A Quote by Chris Cornell
Audioslave was something that I felt had become a career decision. It became three albums over a period of years touring with a specific group of people.
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We recorded Star Climbing over a three-year period between our studios, working on songs and lyrics until we felt like we had found the albums direction. It is our most distinctive album to date, combining all our different tastes and styles into one.
It is said that history turns on small hinges. A human career, too, results from an accumulating series of decisions about large and small matters over a period of years. But the catch is that you can never know when a seemingly small decision may prove to be, from the vantage of later years, the big decision of your life.
It became a question of do I want to be on a label where it could take three years to put out a record instead of putting out three records over the same period of time on my own.
I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.
The culmination of all of that was the decision to start a company, which became Lotus, to do a product, which became 1-2-3. By the time I reached that point it had been four years, and it felt like a lifetime, but really it was kind of evolutionary.
One of the hardest things I've had to deal with in my career is keeping my material topical even though I only release albums every three or four years.
I've always felt a very strong affinity with Jewish people. Over the years I find I've become very friendly with certain people I've worked with - actors, producers, whatever - and then two or three years later I discover they're Jewish.
I've only three times in my career felt I absolutely had to play a part and the first two I got close and was vetoed - by the same person actually. So when 'Strike' came along I had no qualms about signing on for something I was potentially still going to be doing in 10 years.
Over the years, I've become barraged by comments from people, such as, 'Beam me up, Scotty!' and I became defensive. I felt they were derisive and engendered an attitude. I am grateful for the success, but didn't want to be mocked.
A career is measured over the course of the years, not moments. Over good decisions, over successes, not moments, failures, missteps, or bad comments. I learned that I needed to take a step back and look at my career not in that one moment that made me feel really bad, but what I had done not even in the past one or two years or last one or two hires, but that that career is built over many, many, many, many successive quarters and years and good decisions - never, ever made in that one moment where you felt really bad.
Last year, the surgery was a tough decision, but I had to make a decision based on my career. It was a decision to get healthy, and start over with a new team at 100 percent.
I think the Thompsons had got a sort of fatal illness about three albums ago and it just took this long to find out that enough was enough. And we became increasingly frustrated by... I don't know, we want to get into the areas that being a pop group never allowed you to get into.
Over four or five years, I did six albums with three people: John Lennon, Bruce Springsteen, and Patti Smith. I felt that if I could care as much about their music as they did, I could be useful to them. I really cared about their music and their lives.
On student films, everyone is pitching in to do everything, and I never felt like I was a part of a group before I started acting. I always felt like I had friends in this group and I had friends in that group, but I never felt like I had my group.
I see the friends I made over the years who have become family today, people I became acquainted with who have achieved so much in their lives. They taught me something with each meeting.
For a few years all I listened to was The Smiths, Things Fall Apart by The Roots, Love Is Dead by The Mr. T Experience, Nostalgic for Nothing by J Church, and the first Servotron album No Room for Humans. And that was it. For two or three years, those are the albums I listened to. I just fell into this very bizarre phase where my head shut down on me. I just obsessed over things and those albums happened to be in that rotation of me obsessing over things.
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