A Quote by Chris Cornell
Being solo really lends itself to different interpretations - and everything is in the moment and on a whim. I never realised how far out you can go when you are by yourself.
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My philosophy with my career is mostly to just mix it up with a little bit of everything in moderation. And that's what makes my job so great, is that I get to constantly do different things, put on different hats, be different people, and mixing up the genre really lends itself to that.
It's fascinating to see how versatile New York City is. It lends itself to being so many different places!
If you go far enough out you can see the Universe itself, all the billion light years summed up time only as a flash, just as lonely, as distant as a star on a June night if you go far enough out. And still, my friend, if you go far enough out you are only at the beginning - of yourself.
The moment I realised anyone could be watching - and this is going to sound so name-droppy - was when Ricky Martin reached out to me on Coming Out Day 2012. The Internet has this massive potential, and you can never know the effect you might have on others by just being yourself.
Perhaps we'll never know how far the path can go, how much a human being can truly achieve, until we realize that the ultimate reward is not a gold medal but the path itself.
On 'Metallica,' I recorded six or seven different guitar solos for almost every song, took the best aspects of each solo, mapped out a master solo and made a composite. Then I learned how to play the composite solo, tightened it up and replayed it for the final version.
Some other people think that awakened consciousness is really about fullness or presence, being completely present for every moment, but these experiences are only one of the dimensions of awakened consciousness. Understanding these different dimensions as facets of awakening can help with the confusion surrounding the different spiritual paths. They're not leading to different places, but rather reflect the luminous and liberated aspects of consciousness itself. These qualities are not far away; in fact, they are right here.
I mean, being a solo artist is very different than being a member of a band. It's absolutely different. The whole situation is very different - situations where you can't really compare, it's so very different. But I found happiness.
One of the defining things about my career on camera is I like to play different characters. That gets difficult to do. People don't trust you to do something different. In animation, it's all about trust and how far can you go away from yourself. It's a really marvelous environment that's extremely creative.
Dance has helped me with everything. It was a great foundation for discipline, hard work and, unfortunately, the ever-elusive idea of perfection. It lends itself easily to fight choreography, because that's what it really is. Choreography. And knowing how to move with someone.
How far we all come. How far we all come away from ourselves. So far, so much between, you can never go home again. You can go home, it's good to go home, but you never really get all the way home again in your life.
...
whatever it was and however good it was, it wasn't what you once had been, and had lost, and could never have again, and once in a while, once in a long time, you remembered, and knew how far you were away, and it hit you hard enough, that little while it lasted, to break your heart.
Don't be too quick to interpret the moment. Just keep quiet. My encouragement would always be: never think anything is against you, everything is blessing. Why should it be different? Just be quiet. Let it all work itself out.
I found the experience of falling in love or being in love was a death, a death of everything. You kind of watch yourself die in a wonderful way, and you experience for the briefest moment – if you see yourself for a moment through their eyes – everything you believed about yourself gone. In a death-and-rebirth sense.
I found the experience of falling in love or being in love was a death: a death of everything. You kind of watch yourself die in a wonderful way, and you experience for the briefest moment - if you see yourself for a moment through their eyes - everything you believed about yourself gone. In a death-and-rebirth sense.
What I like about 'Game of Thrones' is that there's such a wide range. We have everything from very small, just solo instrument pieces, just the solo violin or solo cello, and then we go all the way to these bigger action moments.
I don't really break into too many solos. But I've never been a super-big solo guy anyway. I like to make the main melody guitar lines of the songs as cool and interesting as possible without just strumming chords. I like to have chords intertwined with riffs here and there, but I'll do the riffs and the solos where the bottom will drop out. Basically, I do everything for the song, I don't do it for the solo glory. Kids aren't really into that anymore for some reason.
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