A Quote by Chris Cornell

Definitely, when you get into something where bands are playing for 30,000 people, it's not like the post-punk, U.S. independent scene. — © Chris Cornell
Definitely, when you get into something where bands are playing for 30,000 people, it's not like the post-punk, U.S. independent scene.
How movies are financed, it's a world market now... I feel like, you know, the independent film way of working is something that was in my bones. It's like being a part of a punk band, but no one's singing punk rock anymore. Only a few bands are able to play, and Woody Allen is one of them.
I moved to Naples, Florida, and by 15 I was into punk: Green Day, Rancid, NOFX, Operation Ivy. Along with the classic punk bands, like the Sex Pistols, the Clash, the Misfits, Dead Kennedys, Minor Threat - all those bands that you get into when you're first getting into punk.
When I joined the band, I hadn't been introduced to a lot of these bands on the scene - no emo bands or punk bands. The only band I knew was My Chemical Romance.
I came up playing in both punk rock bands and hip-hop bands, and I found a more universal way of reaching people, especially with music that has a message to it.
I started playing guitar at, like, 12 or 13 and just rock bands mostly. I had a punk rock band and hard core bands and all that.
I had to get a driver's license and drive to St. Louis to find the punk-rock scene that was happening there. And there was a punk-rock scene. It was sweet. It was real. It was like everywhere else in the county. It was a handful of people who were feeling the same pull, and, of course, it was like the Island of Misfit Toys in Rudolph the Red-Nosed Reindeer [1964]. Just the freaks, the fags, the fat girls, the unbelievable eccentrics .
If girls are ever going to start to be in bands as the norm rather than as the exception. They need to see people up there that have just started playing. That's something that had gotten lost. I think that's why there are so many great girl punk rock bands now. It's like you have to make up your own rules because the old rules don't apply. You just have to start with what you have.
I thought, you know, I can sit at home in my La-Z-Boy, on Facebook, and reach more people than I can on a tour. Because I reach 30,000 to 40,000 people for every Facebook post, some even reach 50,000 to 60,000. And I thought, if it's about reaching people, and not about making money, why bother touring?
Even the biggest bands - and I hate to break the magic - but even the band that sold out 90,000 tickets in your football stadium, they might come back two years later and do an arena. It still feels huge, but there's a difference - there's a big difference. And there's a big difference playing a 30,000-seat stadium and a 90,000.
The underground scene is still a cool way to meet a lot of cool people, see a lot of interesting bands and get a lot of food for thought, but people have to remain curious and get their brain activity food from other places besides punk.
I started playing guitar when I was in eighth grade, and that led to trying to write songs and trying to figure out how to play in bands. That led to meeting people, and getting into the local punk rock scene, and going to shows. So that was how I really got into the culture of it.
Here was just not a lot that we could do as an Independent. We could barely make $100,000. It was nothing' else livin' on the independent scene, and I think we needed to get on the TV and be seen. We need to work really hard this time.
We'll go out and we'll be playing in front of 15,000 people and say, 'Hey, we're going to do three new songs from something we just recorded' and 5,000 people get up and go get a hot dog and a beer and they don't come back until they hear the opening strings of 'The Joker' or 'Fly Like an Eagle.'
I left Edinburgh to follow the London punk scene in 1978, singing and playing guitar in various bands. My income was sporadic, so I did anything to eke out some kind of subsistence - laying down slabs, working as a kitchen porter.
When we started playing our music, there weren't really many bigger punk bands. We wrote for ourselves. We weren't expecting to get a record deal or get on the radio.
People would be surprised at how much of an electronic dude I am, and I like new wave, post-punk and proto-punk stuff.
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