A Quote by Chris Crawford
I became convinced that the whole essence of the computer revolution is interactivity. That was very early in my career. At the time I did that it was heresy.
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My mother taught me how to read very early on and at school I was ahead of everyone in class... Reading was always something that I liked because I could do it alone and I was alone a lot of the time with my mother working the hours she did. Books became my friends very early on.
We had some really powerful technology - Atari always was a technology-driven company, and we were very keen on keeping the technological edge on everything. There's a whole bunch of things that we innovated. We made the first computer that did stamps or sprites, we did screen-mapping for the very first time, and a lot of stuff like that.
Warner Bros. got into television very early, so I did a lot of television there. In the beginning, it was sort of okay to do television. But then it became this thing where movie actors didn't do television - they certainly didn't do commercials, because that just meant the end of your career.
Atari always was a technology-driven company, and we were very keen on keeping the technological edge on everything. There's a whole bunch of things that we innovated. We made the first computer that did stamps or sprites, we did screen-mapping for the very first time, and a lot of stuff like that. We had some of the most sophisticated sound-creating systems, and were instrumental in MIDI.
In early high school years, I was pretty chubby, and I spent a lot of time on my computer, before it was cool to have a computer - because there was a time that was true. So that's where I developed my personality.
The computer revolution is a revolution in the way we think and in the way we express what we think. The essence of this change is the emergence of what might best be called procedural epistemology-the study of the structure of knowledge from an imperative point of view, as opposed to the more declarative point of view taken by classical mathematical subjects.
I was the first to advocate the Web. But I am very troubled by this thing that every kid must have a laptop computer. The kids are totally in the computer age. There's a whole new brain operation that's being moulded by the computer.
I got to make 'Trishakti' with Arshad Warsi, who was a newcomer at that time. The movie took three years to complete and became dated by the time it was released. The movie did not even get a proper release and bombed at the box office. It was a very bad patch of my life and a big disaster for my career.
People thought I was very pro-computer. I was on the cover of 'Wired' magazine. Then things began to change. In the early '80s, we met this technology and became smitten like young lovers. But today our attachment is unhealthy.
People thought I was very pro-computer. I was on the cover of Wired magazine. [Then things began to change. In the early 80s,] we met this technology and became smitten like young lovers. But today our attachment is unhealthy.
Since very early in my career, I have always did my own stunt fighting.
If you're brought up Catholic, you're convinced of magic at a very early age. You're convinced the world isn't entirely real, which is a kind of conviction that never leaves you, for some strange reason.
I think 'No' is a very powerful word in our business that is very hard to use early on in your career. But I also think I was pretty arrogant when I was younger... I used that word maybe too much, but it did help me with finding roles that I did like.
Paul Bearer was very influential in the early stages of my career. He constantly hounded me and I just think he realized the potential that was there. He convinced me that I was in the right place and doing the right thing.
Yeah I grew up in the public eye. I became a man in the public eye, which is kind of a bizarre thing to come to terms with. Now I'm in my late 20s and I was in my early 20s when I became recognizable. But I think 'Moneyball' represents a very strong shift in my career and becoming an adult and a man.
My early colleagues and myself helped create the life styles of Americans and, by osmosis, of the rest of the world. I found it difficult to reconcile success with humility. I tried it first, but it meant avoiding the very essence of my career - total exhilaration and the ecstasy of creativity.
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