A Quote by Chris Crutcher

I think the value in books like mine, and a great number by other talented writers, is in the ability to bring dark subjects into the open where they are not so dark, where they can be talked about and considered by teens and adults alike.
I'm open to writing just about anything. I love writing the books that I write. They do tend to be on dark subjects, but I don't think of myself necessarily as a dark-humored person. I like having a lot of fun.
People always tell me my books are so dark; I don't think they're particularly dark. I'm not like that. I'm quite a cheerful soul.
It seems like whenever a big newspaper or TV show talks about teen literature, they focus on dark books or vampire books. It's kind of this cliche. It seems like the only time adults pay attention is with that angle.
You go from having fun doing something to having it become your life without you realizing it. It can be weird and dark, but every single time I have a dark thought that makes me think dark about that, I tell myself, "Stop, you're stupid. This is great."
A lot of writers, especially crime writers, have an image that we think we're trying to keep up with. You've got to be seen as dark and slightly dangerous. But I'm not like that and I've realised that I don't need to put that on. People will buy the books whether they see a photo of you dressed in black or not.
[His] library was a fine dark place bricked with books, so anything could happen there and always did. All you had to do was pull a book from the shelf and open it and suddenly the darkness was not so dark anymore.
Consumers and businesses alike value their ability to keep a phone number when changing providers or relocating. This concept is called 'number portability.'
The young adult literature is relatively new - it just kind of exploded in the 2000s. When I grew up, there weren't bookstores with sections dedicated to teen lit, nor was my generation raised reading books written specifically for us. Because of that, today we still think of books for teens as children's books and so when you write a book that includes sensitive topics, it just seems even more controversial. What's troubling to me about that is these are issues adults know that teens deal with. Not writing about them makes them something we don't, or can't talk about.
People are often surprised that I am so upbeat. I'm always hearing, 'You're so light and funny, and your books are so dark and twisted.' There's a dichotomy. I like books that are dark and creepy. I don't control it - it's just what I gravitate toward.
Every book should begin with attractive endpapers. Preferably in a dark colour: dark red or dark blue, depending on the binding. When you open the book it's like going to the theatre. First you see the curtain. Then it's pulled aside and the show begins.
When I was working upon the ABC books, I wanted to show different ways that mainstream comics could viably have gone, that they didn't have to follow 'Watchmen' and the other 1980s books down this relentlessly dark route. It was never my intention to start a trend for darkness. I'm not a particularly dark individual.
I do like to write about dark subjects.
My books always focus on the response of the characters to extreme events. As dark as they get, they are ultimately positive, uplifting books about children who take control of their lives and overcome great adversaries. I think that is why they have been so popular.
O dark, dark, dark, amid the blaze of noon, Irrecoverably dark, total eclipse Without all hope of day!
I get afraid of the dark if I'm in a great deal of dark, and I have to move around inside of that fear... But there is a chance that something... will talk to me from the dark, so I have... to be prepared for that communication, which has happened.
'War on Everyone,' I think... the script was hilarious to me, but it's very dark, dark humor. It's super dark.
This site uses cookies to ensure you get the best experience. More info...
Got it!