A Quote by Chris Crutcher
My early life had a lot to do with my origins as a writer, but I didn't get into doing any writing at all until I was about 35 years old.
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That is as true for fiction or non-fiction. The writer has to really know their subject. It is really important to remember that the readers are a lot smarter than the writer. Also, good writing has to do with rewriting. You will never get it right the first time. So you rewrite and rewrite again until you get it right. Until you, and the reader, will be able to visualize what you're writing about.
I was never the type who had a particular ambition. I had friends in college who would say, 'I want to be a vice president by the time I'm 35 years old.' A lot of people had these career plans. I didn't have any. I thought if I did my best, good things would happen.
When you're young, your perception of what it means to be a writer is often less about the writing and more about what seems to be the accompanying life: speeches and travel and hanging out with other writers. You think that when you get published, your life will clarify itself to you somehow. But when you don't get published until you're middle-aged you know who you are already, and your life expands to make room for your writing, rather than orbiting around it. You realize that there's no one way to be a writer, and that the job is less of an identity and more of a vocation.
I have accomplished a lot, but it didn't happen overnight for me. I was 35 when I got the show, and had been working professionally for 15 years. It would be a lot weirder if I were in my early 20s and stumbled into it.
We've had experience of involvement in a local scene, and it was a good one, and we've learned a lot from it, and I don't have any need to join into that ever again. It's too counterproductive to writing music and performing to the best of your abilities. It's okay when you're 20 years old - you're getting out there and you're learning - but not when you're 30 years old.
I did a lot of acting, funnily enough, unprofessionally, as a kid. From when I was 10 years old until I was about 19, I was always doing little sketches with my friends, and doing different accents and voices.
?If you want to be a writer, you must do two things above all others: read a lot and write a lot…reading is the creative center of a writer’s life…you cannot hope to sweep someone else away by the force of your writing until it has been done to you.
I got out of grad school in 2000. I was about 26 years old. I've always said that I was late to acting because I didn't really start doing it in a focused way until I was in my early 20s.
My dad was pretty strict. We didn't even get to watch any of his movies until I was, like, 17 years old. I didn't even see his stand-up, really, until I started doing stand-up, and that was when I was 22. So he's pretty strict. We had curfews until I was 17... he didn't play around.
I'm one of those sad cases who've never wanted to be anything but a writer. I started writing my first novel when I was five years old. I have no idea what it was about, but I do remember spending considerable time trying to get the title right, though this had more to do with crayon colour than scansion.
Look, there’s no such thing as the master division to me. I’m going to compete as an adult until I realize I can no longer handle the new kids’ pace. Right now–at 28 years of age, Ican’t see myself stopping until I’m 34, 35 years old.
Before I ever heard about '60 Minutes,' I had been a writer, a columnist for 'Life' magazine and for 'Newsweek' - that was about as high as you could get in column writing. I care about my writing. I'm not a quack-quack TV journalist.
I've been writing about James Fenimore Cooper. He was not a writer. Here was a man who was 30 years old and had never put anything more than his signature on paper.
It's true that I had a bucolic, truly peaceful childhood, growing up in a house next to our family's orchard. We had a lot of books and art, but no electricity until I was eight years old. Since then, I have seen a lot of inner-city life, though.
Purely the idea of writing a lot of books doesn't make you a great writer, but it might be that the process of doing a lot of writing will make you a much better writer.
The fact that I had spent so many years doing media criticism and thinking really seriously about theme and structure did definitely help. Doing that for several years indirectly built a lot of tools that I would end up using when writing my own fiction.
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