A Quote by Chris Cubas
If you like looking at 'Starry Night' or water lilies or whatever, then why does it matter if it's an original? If the artist is still alive, and you want to support them, I get it. But if you want some famous dead guy's work, that's just a way for rich people to show off. It's the upper-class version of driving a giant Hummer.
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I don't want people thinking of me sexually. I don't want people to be like, 'She's hot-looking,' you know? I want them to listen to me for what I am saying. And I think the best way to do that is to sniff my armpits, and like, sit and burp every now and then. It just completely throws people off. I had a couple of offers to do some hot scenes in the shower with some guy and to make it real hot and sexy. The next thing you know, I'd be the next J.Lo or something. But that's easy. I want it the hard way.
Boxing is what you make it. If you want to make it exciting, if you want to make it something where people are going to look and say, "Wow! Look at the guy. Who does he think he is?" You can do that. If you just want to go in there, punch each other, and then shake hands at the end of the night. You can do that, too. I know what I would rather pay money to see. Some people enjoy it, some despise it. Whether people like it or hate it, they still buy a ticket. We want boxing to be centre stage and you can't have that with guys who don't excite.
If it's just a pastime, keep doing it because it's relaxing and to blow off some steam. But if you're not sure if you want to do it, or you're thinking you can be famous, you shouldn't do it because you want to be famous. You have to do it because you love it and you want to play for people. And if that's what you want to do, then do it, but you can't go into it with that mindset of "we'll be in a band and we'll be famous."
I enjoy doing my work, and I don't want to deal with the other things. When you enjoy doing your work so much, why deal with where to show, how to show, what to do? If the artist finds the right gallery which respects their work and gives them that freedom to do whatever they want to do, the artist can focus on his work.
Figure out what you want, how you want to feel, whatever your motivation is, you have to figure it out. That's step one: where do you want to be? The next thing is just trying to get there and cutting yourself some slack along the way. You're going to have days when you veer off your path, then just get right back on. We all have cheat days, holidays, or celebrations, whatever or period when we can't work out as much as we like, and just do the best you can and when you can get back on track, get back on track.
When you are writing for an artist you are trying to get into that artist's point of view. What does that artist want to say? What do they care about? And musically, you want to show off that artist.
I'm JaVale McGee, the basketball player, funny guy, whatever, whatever. But I'm just really passionate about music and I don't want people to look at it like 'Oh he's just doing it to get famous.' I'm already pretty famous as is, so I'm not really trying to do it for the money.
I didn’t want to be like all these socialites – they sit at home, and go to the debutant ball, and marry some rich guy and that’s it. That’s all they do. I wanted to do my own thing so I could buy whatever I want, do whatever I want.
What you have to remember, when you get to the level of seeing 10,000 people a night, is that they've all paid to have a performance. I need to make sure that they get their money's worth. I don't want to be going on stage and saying, "I'm just going to try some stuff and if it doesn't work, it doesn't matter," because it does matter.
There are so many people pulling at me at one time - some want the business, some want my love, some just want my support, just to be there or to acknowledge them the same way I used to. To be able to figure that out is an ongoing process, because there's always another show, another album, another moment that I don't want to miss. But I'm pacing myself. I hope the powers that be keep me on a straight course.
Some comics get drunk before a show. I don't. When I get drunk, I don't want to stand in front of a bunch of people that I don't know. That does not sound comfortable. Why have all these people gathered? And why am I elevated and not facing the same way as everyone else? And what is this electric stick in my hand? I want a chair too!
I teach voice, and I teach pretty much just, like, whatever people need. So if they want me to work on a monologue with them, or if they want me to do some work with them, I do that. And then I do master classes, like at high schools - which is my most favorite thing to do.
I want the new upper class to start preaching what it practices. They are getting married and staying married in large numbers. They work like crazy, long hours. They even do better going to church than lots of the rest of America. Why not just say, these are not just choices we have made for ourselves. These are rich, rewarding ways of living.
Among other things, drag queens are living testimony to the way women used to want to be, the way some people still want them to be, and the way some women still actually want to be. Drags are ambulatory archives of ideal moviestar womanhood. They perform a documentary service, usually consecrating their lives to keeping the glittering alternative alive and available for (not-too-close) inspection.
There's lots of people driving on the roads who don't have licenses. They're still going to work, still going to school. I want them to get a license and insurance so they're driving safely.
I know there are people, if I go into a market or a city for the first time, there are people that are there that just want to see the famous person, or the guy from 'Dumb and Dumber' or whatever movie they liked. And that's fine, it gets them in the door, but then it's my job to give them something different.
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