A Quote by Chris Cubas
Twitter is basically just writing a bunch of one-liners - it's a short form or whatever.
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Twitter is comedy writing. It's one-liners that give way to fully fleshed-out thoughts.
I do Twitter, but I'm still not great on it - I'm not good at writing short little jokes, so my Twitter's not really a jokey thing.
Small wastebasket liners, $1.17 ... tall wastebasket liners, $2.29 ... garbage can liners, $3.98 ... I think I just spent $7.44 buying something I'm going to throw away.
I love Twitter. It doesn't keep me from writing and I think it's a really convenient scapegoat when the truth is that the real issue is self-control. I am totally fine admitting i have none. I'm not going to blame Twitter for affecting my writing. And also, Twitter doesn't affect my writing.
I do like Twitter. Writing is a solitary pursuit, and it can get lonely. I like to go into Twitter for a short period of time, communicate with clever friends, and then switch it off. That's perfect for me.
Twitter, just every once in a while I put something out there basically to promote whatever I'm doing, but I don't see any of that as representing me or who I am or being a brand.
I went to drama school with John Schwarz and Mike's his younger brother, so he tends to just hang out, that's it. So we're a pretty tight bunch of guys, they do whatever they do and they're my brothers basically.
When seriously explored, the short story seems to me the most difficult and disciplining form of prose writing extant. Whatever control and technique I may have I owe entirely to my training in this medium.
It took me a long time to know enough about writing to really write short stories. You can't just immerse yourself, as you do in a novel, and see where everything goes. Novels are a very flexible, accommodating form. Short stories aren't.
I carry around a little journal with me, a little notebook and a pen and just write all the time. Not necessarily actually sitting down and writing lyrics, just free-form writing, whatever's going on in my mind.
I'm one of those writers who started off writing novels and came to writing short stories later, partly because I didn't have the right ideas, partly because I think that short stories are more difficult. I think learning to write short stories also made me attracted toward a paring down of the novel form.
2009 was one of the busiest, most insane, stressful periods in my entire career. I was raising a bunch of money, buying a bunch of Twitter. I saw my friend fired as CEO of Twitter. Uber was growing like a weed. As these companies get bigger and bigger, there's more and more friction. Being public was the last thing I wanted to do at the time.
Twitter is a form of free speech, and I'm all for that. But if Cee Lo Green, a maverick of sorts, can't get on Twitter and say something outlandish or outrageous, then what is the whole point of Twitter at all?
Twitter is basically text messaging. Twitter is a guy you can always elbow in the side and say, "Hey, look, a guy in a clown suit just threw up!" And I don't have 400-800 words to say about that, I just wanted to say that one thing.
The more you know about somebody's back story, the deeper you can delve into that well, and the more your comedic choices resonate full-body instead of just being quick, quippy one-liners that are just like a bunch of people trying to be clever. Because after a while, cleverness is just really obnoxious!
I just got on Twitter because there was some MTV film blog that quoted me on something really innocuous that I supposedly said on Twitter before I was even on Twitter. So then I had to get on Twitter to say: 'This is me. I'm on Twitter. If there's somebody else saying that they're me on Twitter, they're not.'
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