A Quote by Chris Daughtry

In the '90s, guitar solos were dead. — © Chris Daughtry
In the '90s, guitar solos were dead.
Every girl is a singer. I wanted to learn the solos and play lead guitar. I would meticulously teach myself solos so when dudes were like, 'Oh, you're a girl, you can't play guitar,' I could rip these insane Telecaster blues solos and tell them, 'Yeah, I can burn up a fret board.'
Guitar solos, to me, should be a really articulate way to make fun of guitar solos.
Listening to as many guitar solos as possible is the best method for someone in the early stages. But saxophone solos can be helpful. They're interesting because they are all single notes, and therefore can be repeated on the guitar. If you can copy a sax solo you're playing very well, because the average saxophonist can play much better than the average guitarist.
All the time I was playing the flute, the lines, the solos, the riffs, the construction, were based on my guitar skills. I did not play the flute to exploit its natural faculties, but I used it as a surrogate guitar.
I'm sure if Shakespeare were alive today, he'd be doing classic guitar solos on YouTube.
Most people can do what I do - they can do guitar solos - but they can't do a good, hard rhythm guitar and be dedicated to it.
The '90s were a party, I mean definitely maybe not for the grunge movement, but people were partying harder in the '90s than they were in the '80s. The '90s was Ecstasy, the '80s was yuppies. There was that whole Ecstasy culture. People were having a pretty good time in the '90s.
Guitar solos bore the hell out of me. Only a few guitarists interest me, and it's not about the solos they play, it's about the grooves they create.
I was learning guitar as the band was beginning, at least in terms of being a lead guitar player. I could write songs, but I couldn't really play solos.
With my first high school band ever, we would have these breaks in the song for idiotic solos, solos that were un-tasteful and would be shredding, but I needed to put them in there, and I realize now it's because we were playing shows with a whole bunch of bands that were all male.
The jam stuff doesn't appeal to me in general. My newfound love for the Dead came from Robert Hunter and Jerry Garcia's songwriting, not the elaborate guitar solos. I'm a song person. Once it starts to break out of that structure and become loopy, it's uninteresting to me.
I don't like guitar solos that are like, 'Look at me, look at me!' I like guitar solos that are little songs within the songs.
I didn't want to take the guitar solos down note-for-note, but more or less use them as a map, and keep all the hooks from the guitar playing, and let myself come through.
I would just like to say that Ritchie Blackmore did a bunch of great stuff guitar - wise. I'm happy to play the solo from 'Highway Star'. I always thought it was one of the most exciting guitar solos I'd ever played.
I love all my guitar solos.
In the '90s, I think I rediscovered my guitar. The Jam was obviously very guitar-based, but in the Style Council I just got really disillusioned with playing the guitar. The further it went on, the less and less I played, to a point where I couldn't pick it up any more.
This site uses cookies to ensure you get the best experience. More info...
Got it!