A Quote by Chris de Burgh

I thought I would be an overnight star when I had a hit record in Brazil with my first album - but things didn't work out quite like that. — © Chris de Burgh
I thought I would be an overnight star when I had a hit record in Brazil with my first album - but things didn't work out quite like that.
Our first album sold a million copies. Because we had such a big hit on the first album, it's always like, 'You can't top the first album.'
When I held my first album in my hands, I tell you, there were tears falling down my face. I thought 'This is it. I've arrived. I'm going to be an overnight world star.'
When After Forever stopped, I didn't want to first find a band, then see if I could write with them, figure that whole thing out, then record an album. Instead, I worked with people I knew would be good songwriters out of an idea how I thought it would sound like.
It's an album that is a little bit different and probably isn't easy to get out. It's not likely that a major label would have picked it up and said that they had a smash hit record.
For me, the biggest successes I've ever had were the ones I never counted on. I never thought my first big record would be a hit. I thought it was an average song.
I'm a hip-hop guy, and the first time I heard Eminem was in '96. He was on a record with Shabban Siddiq. I was like, 'Who is this guy? He's dope!' First album came out: awesome. Second album came out: awesome. Third album, I was like, 'Eh.' He started to get really successful. He wasn't 'mine' anymore.
Im a hip-hop guy, and the first time I heard Eminem was in 96. He was on a record with Shabban Siddiq. I was like, Who is this guy? Hes dope! First album came out: awesome. Second album came out: awesome. Third album, I was like, Eh. He started to get really successful. He wasnt mine anymore.
I guess it was this over-riding feeling I wanted people to get from the album - a kind of positivity. On the one hand it's quite a sad record, but I wanted the songs in essence to be about pulling yourself out of a difficult time. So I thought that the idea of day after a really long, difficult night, would be pretty appropriate... I think the album's about contrasts too - contrasts of emotion - so I thought the comparison was appropriate.
When I finally stopped [singing], he had been saying, like, the last day or so, he'd been saying, now, I think we should put this one in the album. So without him saying I want to record you and release an album, he kept - he started saying, let's put this one in the album. So the album, this big question, you know, began to take form, take shape. And Rick [Rubin] and I would weed out the songs.
I have to admit, at first, it was really overwhelming and I would get stressed about putting things together. Now, it's like trying to figure out a puzzle piece, and I love that...There are so many things that I don't even know and would love to discover more about. I was so upset I had to leave [Europe] before Paris Fashion Week, but then I was like..."Oh wait, my album is coming out."
Whenever I release a record, it's my record. It's not a selfish thought. I may work all year 'round for other people. So, finally, when I come out with my own album, it should be me with the creative help of other musicians.
I was an artist, I was executive producer on my first album, so I've always had to manage both. I couldn't get a record deal. It wasn't by choice - I couldn't get a record deal, so I had to figure it out.
When I was a kid, I would go to the record store, where there was a bin of things they didn't know quite how to classify. Those were my choices. That's where you would find Captain Beefheart or an early electronic album.
If you had a record company believing in you enough to cut an album then you had better have the ability to work the album on the road.
Part of being a pop star is image. I'm told by many of my female fans that I was the poster on their bedroom walls. But if I only had that - the image and the beauty and the curly locks - I would have been a 'normal' pop star, one who comes and goes after one hit record.
I had these glorified ideas about San Francisco and its drug culture - I thought inspiration would just hit me and I would get these San Francisco drugs in my system and all of a sudden an amazing record would come out. But that's not really what happened at all.
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