A Quote by Chris de Burgh
It's tough going out as the opening act of a band especially when you're solo.
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I'm not going to get into details, but every band has their moments when things are tough. Just logistically, tough on your body, stress levels, psychologically tough, relationships can be tough.
For three years between 16 and 19 I was the opening-act-for-the-opening-act-for-the-opening-act, you know? And then I was on tour with Ice-T, Stetsasonic, EPMD, Sir Mix-a-Lot--legends--and went on to sell 160 million records. It still baffles me.
For three years, between 16 and 19, I was the opening-act-for-the-opening-act-for-the-opening-act, you know? And then I was on tour with Ice-T, Stetsasonic, EPMD, Sir Mix-a-Lot - legends - and went on to sell 160 million records. It still baffles me.
When it comes to being in a band or going solo, one is collaborative, and one is not. But generally speaking, when going solo, I am the boss. People can contribute ideas, but I am the boss. When collaborating, you make compromises and look for a common ground.
I was going to record a solo album when I was 15 on a four-track. I started working on it, but then Fall Out Boy happened. The band was awesome and took me in a totally different direction. I don't regret it at all, but the band delayed the record I had been planning.
We've always been kind of an underground band in a way that had the respect of our peers on the road. I like to say we're the world's most famous opening act because we've opened for every huge band on the planet.
I think what's cool about about going on a co-headline tour is everyone's bringing a huge show, so it's not like opening band, opening band, then here's the big show. It's like two big shows.
To put my name on a track as a solo artist was a big deal to me. There was no band to act as a buffer.
If a band is really good and the chemistry is unique, it should continue. But I guess David is just very happy doing his solo career. He's got a different band every time he goes out.
My father was a promoter of Fresh Fest, and they needed an opening act. He got me a slot as a dancer. We tried it out the first time in Atlanta and the crowd went crazy. I was the opening clown.
My band got signed in high school when I was 16, and we all dropped out of high school and went on tour. Then I quit the band because I was the manager, and I was doing everything, so I went solo.
I love the idea of stepping out of the band situation into a solo world with no boundaries, no expectations, where nothing is out of bounds.
Anything was better than going to work. All those early tours before we made any money were more like vacations. I don't think it was until 2001 that we pulled our heads out of the sand and were like, "What are we doing?" I don't think Chris realized he was in a band until 2001. He all of a sudden woke up one day and realized he was in a band. He thought he was just recording my solo project. Three albums later, we're in Baltimore trying to figure out what to do with ourselves.
In my experience, growing up in Brooklyn and all that, the real tough guys didn't act tough. They didn't talk tough. They were tough, you know? I think about these politicians who try to pose as tough guys - it makes me laugh.
By the time my first solo record came out, I was making a handsome living as a record producer. I had worked with the Band, Janis Joplin and all of these other artists in the Albert Grossman organization. So as my so-called solo career evolved, I never felt pressure that I had to come back and top when I might've done before.
I often think about starting a band again, doing my solo stuff and a band. I grew up in bands.
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