A Quote by Chris de Burgh
After university, I set out to see if I could make a career in music. It was a tough journey at first, but by the time I was 23 I'd been signed by A&M Records.
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I didn't know that Left Eye's dad passed away right when she wanted to tell him that she just signed to LaFace Records. After I signed to Jive Records and just before I put out my first album, my mother passed away. It was very odd how much we had in common.
I've just signed a contract to make records in Nashville. It won't amount to much at first, but after a year or so, I will really be in the money.
That's because we did not set out to make black music. We set out to make quality music that everyone could enjoy and listen to.
My first record wasn't even with the Fugees. I was signed to Big Beat Records, so I was signed back in 1989 to the label that the Knocks are on now. You can always tell which generation had the pulse based on how they see things.
In my mid-twenties, I was with a conducting career, but I had never been to university and I wanted to. There were things I wanted to study in depth. I also wanted to see if I could survive without music.
At that time, I was signed to Columbia Records as an Independent Producer. I spent many weeks forming, auditioning, rehearsing and recording demos for Kenny, who was finally signed to Columbia Records.
After 'Bhaji On The Beach', I didn't make a movie for six years. I couldn't get a movie off the ground for love nor money. It was a very tough time and I almost gave up. If I had been an Oxbridge bloke after 'Bhaji', my career would have been very different
For me, it's always been a financial kind of scenario. I was actually the first one who signed the 'exclusive to Ring of Honor' contract. I was the first guy who ever signed one of those contracts. That was tough for me because I had no one to talk to. I had no examples to go on. I was the guinea pig.
We just feel like history repeats itself. You ain't never going to see nothing brand new; you're only going to see when records are broken. And we're here to just set records and set trends and follow the footsteps that have been shown to us.
One thing that I had to remember in my personal journey in the music industry and coming up in the music industry was how many times I was told no. I was signed, I was dropped, I was signed, and I was put on a shelf.
It was part of a financial situation. I could only afford records in thrift stores. Then you could find wonderful things, but now everything is a collectible. I like the recycling idea --using the stuff that people don't want anymore, and make new music out of it. There was an element of looking back and listening to your parents' records and doing something with that stuff. Sort of acknowledging the past while rejecting it at the same time.
[Barack Obama] had already signed Lilly Ledbetter, signed SCHIP, the children's health insurance program. By the time he had his first address to the joint session, that is as it is called, the first speech, he could say, this is what I asked for, this is what we have done in the first four weeks.
We're in a situation now where we've got five long-play records of sort of eerie psychedelic pop music. I don't think that we can make another one. That's really my position on it. If we were to do a film soundtrack or something else where I could take the rest of the band with me. I really don't think bands should make more than five records anyway. In fact, five is one too many. We'll have to see how it pans out.
I didn't have my first serious boyfriend until I was 23. Then after that, I went out with a guy I'd been best friends with all through drama school.
My dad would play me all of these records: Miles Davis records, John Coltrane records, Bill Evans records, a lot of jazz records. My first exposure to music was listening to jazz records.
Well, almost everything is open - the political documents, the (unintelligible) of cabinet meetings. What has been opened now and what had been closed are things that many governments still close, and that is police files and trial records, trial records of the special courts set up by Vichy. And especially interesting are the trial records of the Purge Trials after the war.
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