A Quote by Chris Eigeman

The scariest film in the world is 'Rosemary's Baby.' — © Chris Eigeman
The scariest film in the world is 'Rosemary's Baby.'
'Rosemary's Baby' is still one of my favorite movies of all time. The idea of her being impregnated with the devil is just so frightening. I'm actually going to work on a movie in February, called 'Mercy,' from Jason Blum, who produced the 'Paranormal Activity' movies, and there is a similar theme to 'Rosemary's Baby' in the movie.
Polanski is a great example of a person whose personal life clearly has been just fraught with scandal and transgression and criminal acts. And yet, in 'Rosemary's Baby,' I think he's made one of the crowning feminist statements in film.
I really liked The Children of Corn, believe it or not. And Rosemary's Baby - yeah, exactly. I've always loved it. Any time a new horror film comes out that looks appealing, I'm always excited to go see it.
'Rosemary's Baby' is one of my all-time favorite books. I love that it just ends with, you know, 'Hey, the devil's in the world, and guess what? Mom kind of likes him!' And that's the end.
Rosemary's Baby' is one of my faves.
I've always liked higher necklines, and Mia Farrow is my ultimate inspiration. The baby-doll dresses with big Peter Pan collars that she wore in 'Rosemary's Baby' were iconic. I've been drawn to similar looks ever since.
I remember one time I heard this English professor asking the class what the world's scariest noise is. Is it a man crying out in pain? A woman's scream of terror? A gunshot? A baby crying? And the professor shakes his head and says, 'No, the scariest noise is, you're all alone in your dark house, you know you're all alone, you know that there is no chance anyone else is home or within miles—and then, suddenly, from upstairs, you hear the toilet flush.
I know a lot of people who hate the ending of 'Rosemary's Baby' and wish that it was left ambiguous.
I've always been a huge fan of 'The Shining,' and 'Rosemary's Baby' is one of my favorite films of all time.
To be a young Irishman in London and go to the theater to see 'Rosemary's Baby'... it scared the crap out of me.
So it's Rosemary Clooney - Rosemary? Rosemary Clooney, right? The singer? Yes. Clooney, doing, singing, "I've Grown Accustomed To Your Face," which is, you know, really a love song, but what we see on stage is we see one puppet that's got a ridiculous blonde wig on and she looks ridiculous, and next to her is a head that's just a piece of fabric with a pretty face on it.
'Rosemary's Baby' is a real New York movie, even though you wouldn't necessarily think of it as one, though I do.
I'm hooked on Polanski's films, his psychological thrillers. I love 'Rosemary's Baby,' I love 'Repulsion.'
I started in movies in 1963, and the first big one was 'Rosemary's Baby' in 1967. While you don't notice it right away, it finally dawns on you that 80% of the time, you're doing nothing.
I prefer film to TV because of the amount of time film affords you that TV doesn't (though theater is probably my favorite and the scariest place of all).
Psychological horror I've always appreciated, like 'Rosemary's Baby.' The slasher movies and the grotesque movies are the ones that I've really been off for a while.
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