A Quote by Chris Eigeman

I really love showing up at work at 10 A.M., trying to make it funny until 3 P.M., and then going home. It's like comedy bankers' hours. — © Chris Eigeman
I really love showing up at work at 10 A.M., trying to make it funny until 3 P.M., and then going home. It's like comedy bankers' hours.
My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.
I've noticed, as a comedy fan, that I really like Paul Thomas Anderson or Quentin Tarantino because when they're funny, they're actually funny. It's not like when other dramatic writers have comedy, and I'm just like, 'Well, that's not funny. Why are you even trying to make a joke here?'
Nothing is better than showing up twice a week, acting like a 12 year-old for two hours, and then going home.
MY ACT IS 'NOTHING BUT COMEDY. I TALK SOUTHERN BECAUSE I PICKED IT UP WHEN I MOVED TO THE SOUTH. IM NOT TRYING TO MAKE ANY SOCIAL POLITICAL POINT, NOR AM I TRYING TO MAKE FUN OF REDNECKS. I GREW UP A COUNTRY KID AND WILL ALWAYS BE ONE. I GREW UP WITH PEOPLE THAT SAID CERTAIN THINGS FUNNY AND I PREFORM USING THE SAME LANGUAGE BECAUSE I FIND IT HYSTERICLE. THATS IT. ITS A COMEDY SHOW THAT IS FUNNY AND THATS IT.
Not everything is going to be handed to you just because you're talented with a big smile. Sometimes you just gotta get out and shoot jumpers for hours and hours and hours. That's something I didn't really get a grasp on until way later, waking up early and treating it like a job if you're serious about it. Get the freak up and, you know, work.
I don't feel that I'm explaining the world or teaching people anything. And I'm not trying to be a mirror, showing them what's really going on the world. All I'm trying to do is think of stuff that's funny, just like when I'm kidding around with my friends.
Especially with comedy, you take massive risks because ultimately you're trying to be funny. If you're not funny, then it's really embarrassing and you look stupid.
I'd love to do a comedy. I always told myself that I don't have funny bones, and then I was working with Dervla Kirwan in 'Uncle Vanya,' and she was like, 'Lara, you're really, really funny.' And I realised I am, and that's not even me blowing my own trumpet.
To a certain extent everybody has a certain sort of way of being a persona that they learn how to be when they're really little. They figure out that if they're really funny, or really pretty, or if they work really, really hard or are really smart, then that's what's going to get them by. That is what is going to make people like them.
The funny thing about Thanksgiving ,or any big meal, is that you spend 12 hours shopping for it then go home and cook,chop,braise and blanch. Then it's gone in 20 minutes and everybody lies around sortof in a sugar coma and then it takes 4 hours to clean it up.
It's hard work making movies. It's like being a doctor: you work long hours, very hard hours, and it's emotional, tense work. If you don't really love it, then it ain't worth it.
umm... abit gross it kinda about boyfriend and girlfriend kinda going throw then they break up then they love each other then they make up again and the girl father said u have to come home until 9pm but the girls want more time to be with her boyfriend :)
Especially with a comedy, you've got the clear cut goal of trying to make a scene funny. It's not like drama where you're trying to achieve some kind of emotion or trying to further the story along. You're trying to figure out what's the funniest way to do something.
I used to start at about 10 at night and work until early morning. My preferred way to work is to start in the early afternoon and work until about 3, go do errands, have dinner, and then write for a few more hours in the evening.
I don't know what it takes to make marriage work, but I'm going to keep trying until I get it right. I haven't given up on love or marriage.
You've got to have a likeability factor, I think, in your comedy characters. If the guy's really, really funny but you just don't like him or her, then you're never going to root for them.
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