A Quote by Chris Eubank Jr.

Fear isn't in my vocabulary in terms of how I approach a fight. — © Chris Eubank Jr.
Fear isn't in my vocabulary in terms of how I approach a fight.
I have no fear, no fear at all. I wake up, and I have no fear. I go to bed without fear. Fear, fear, fear, fear. Yes, 'fear' is a word that is not in my vocabulary.
A real naturalistic approach, I would claim, should take the reality of mental representation as a natural fact. A lot can be said about this fact, but there is no need to say it all in terms of necessary and/or sufficient conditions which are stated in non-intentional terms. The idea that naturalism might require that all the truths should be stated in a particular kind of vocabulary now strikes me as a very peculiar one.
The ambiguities of language, both in terms of vocabulary and syntax, are fascinating: how important connotation is, what is lost and what is gained in the linguistic transition.
Fear doesn't enter into my vocabulary. Fear is the gateway to the next step in my development.
Failure isn't an option. I've erased the word fear from my vocabulary and I think when you erase fear you can't fail.
Failure isn't an option. I've erased the word 'fear' from my vocabulary, and I think when you erase fear, you can't fail.
Voshak's hair, a pale blond braid, which he bleached, was his trademark. It made him memorable. That's how the slavers operated. They adopted costumes and personas, trying to make themselves larger-than-life and hoping to inspire fear. They counted on that fear. One could fight a man, but nobody could fight a nightmare.
To fear the foe, since fear oppresseth strength, Gives, in your weakness, strength unto your foe, And so your follies fight against yourself. Fear, and be slain--so worse can come to fight; And fight and die is death destroying death, Where fearing dying pays death servile breath.
I think I'm generally - fear, fear is very still, so in terms of that kind of fear - there's so many different kinds of fear, but fear is something, particularly in movies, that's interesting, because it's created by the film maker, that was created by David Fincher, that's why he's brilliant.
Fight back! Whenever you are offered violence, fight back! The aggressor does not fear the law, so he must be taught to fear you. Whatever the risk, and at whatever the cost, fight back!
I approach my character with the question: What would an animal think? How would an animal respond? A lot of times, it's quick action and no fear, and sometimes it's irrational fear. You don't always know.
'Chicago' kind of set the bar in terms of how we approach musicals, and tone is one of the key elements.
We haven't developed a progressive vocabulary. We say something is "public," but we just mean it's viewable online. Or we say it's "open," but we just mean it's accessible. I would like for us to think about terms critically and maybe change our vocabulary a bit. What if pubic actually meant publicly-funded, or social meant socialized.
Fear isn't in my vocabulary.
Constraints inspire us in how we approach the press, how we approach business relationships, how we do everything.
Fear is not a part of my vocabulary, actually.
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