A Quote by Chris Eubank Sr.

Most people seem to think I am something of a character and the things that have befallen me are par for my course. — © Chris Eubank Sr.
Most people seem to think I am something of a character and the things that have befallen me are par for my course.
I think what tends to embarrass me most is how much I struggle at the little things that seem to come so easily to most people, mainly involving routine and self-care. It's hard for me to do things like cook a meal, not be in a constant apocalyptically late rush everywhere I go, to put something back when I'm finished with it. I seem to be hardwired for chaos and disorganization.
I am surprised at the way people seem to perceive me, and sometimes I read stories and hear things about me and I go "ugh." I wouldn't like her either. It's so unlike what I think I am or what my friends think I am.
It may seem that I am doing films in different languages, which of course I am, but more importantly, I am performing different characters and every character has so much to teach. It makes me happy that I am associated with so many film industries.
I got tired of doing battle with people thinking I was a little weird because I wasn't in a band making happy, stilted music. The only people who really seem weird to me are people who think they're normal. People who think it's possible to be normal just by doing the same things that most people do. Is there a most people? I don't know. Television makes it seem like there is, but I think that might just be television.
People don't stop me on the street and throw things at me. But I'm aware of what that dynamic is, so whenever people react strongly to a character and say that they hate me, I take it as a job well done. And for most people, there's a sense of removal. Most people are not saying, "Oh, my god, I hate you!" Most people that have reactions say, "I love to hate your character."
In 'Brothers,' I am going into a zone that is something that I have not done. It's a very simple and desi character. It's also a character that I think a lot of people would not have expected me to do.
It seems to me that any popular fictional character's appeal is idiosyncratic in nature. Characters with large followings - Sherlock Holmes, Harry Potter, the crew of the Starship Enterprise - seem to embody something very particular even as they speak to something within a huge number of people. When I think of the most time-tested examples, the common thread appears to be an author who feels deeply for what he is creating.
To this day, I have people I might meet who will make assumptions about my life based on fictional elements of 'The Squid And The Whale.' But I think that's par for the course if you make something that feels kind of real.
There's something about me that suggests I don't have an intelligent atom in me at all. So people say things to me that they wouldn't say to other people. Insulting, condescending things. They don't think I notice. But, of course, I'm taking it all in.
I basically enjoy doing films that are about something, that have complex roles that I can sink my teeth into. Basically, I gravitate to things that scare me. They might be things that I don't think I know how to play. I like trying to find within me where this character may exist. Whether is it is a fictional character or not I am not motivated by that. It is more about how challenging it is. It is just so happens that the more high profile things I have done have been historical characters.
When I'd get out of school in the afternoon, I would go to the golf course, and I just picked the game up. And when I was 13 years old, I could shoot 70 - even-par 71, one over par and then something like that. I just took a liking to the game.
I don't know why I am internally a violent person. I don't have the normal nerve endings most people do, which was very good for me as a pilot in Viet Nam. When most people are afraid, I'm actually quite excited about things. The more dangerous something is, the happier I am.
I am looking for a character that connects to me on some level. It has to be about something, it has to have depth to it and it has to be about something. The story of the character and their relationship with the people and places around them appeal to me and are what I look for.
I'm an actor and I've created a lasting and memorable character named Frasier, who is not me, but who most people think is. So when I have a chance to play something that's different, I embrace it because it's fun; also in this case, he's a memorable character.
I think most amateurs dread playing a 180-plus-yard par 3 even more than a hard par 4. Part of it is psychological: You think you should be getting a breather, distance-wise, and instead, you get hit with a long iron or hybrid shot over trouble.
Of course it's a lot easier for me if I think of myself as a character to say certain things; it gives me a kind of liberty to say things that I otherwise wouldn't. It's always my hope that it will come across as me and not me at the same time.
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