A Quote by Chris Evans
Any time you make a movie where you're living in a certain head space for an extended period of time, it's tough not to take a little piece home with you.
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One of the things that makes it so challenging is that we're constructing the Station hundreds of miles above the surface of the Earth and we're doing it one piece at a time For the International Space Station we do not have the privilege of assuming the Space Station is on the ground before we take it up one piece at a time. So we have to be very clever about the testing that we do and the training that we do to make sure that each mission is successful, and that each piece and each mission goes just as it's planned.
I consider anybody who has been able to make a living in this business [movie business] without having to do something else for a living for any period of time let alone 43 years would be a miracle.
I like to make my voice sound like a piece of tin that's been stuck on the side of a chair, lifted up as far as it would go and then let to spring - "doooiiinng." I like to make it into a piece of metal from time to time and I can do it, both with the movements in my throat and with, uh, my little toys... So I like to take it beyond just a voice, more into the realms of a weapon.
I just didn't want any order in anything. I have to leave an ordered life for them - the kids - and my job. I have to be at my desk at a certain time, and I have to answer e-mails within a certain time period.
In order for a long piece of work to engage a novelist over an extended period of time, it has to deal with questions that you find very important, that you're trying to work out.
Adaption of the human body in space is not yet mastered. As soon as you hit space, you feel your body is going through a period of mutation. There's no blood in your head; you have a hard time swallowing. We're not born to naturally be in space.
I'm very aware that the future of any film is not necessarily the theatrical experience, it's the home video experience because that is the one that is going to be presented for years to come. So you want to make sure that you push your movie, but you're talking about a movie that you finished months ago. And your head is trying to move into new grounds and you're still pushing for the other one. That's the tough element of it.
Another thing about creation is that every day it is like it gave birth, and it's always kind of an innocent and refreshing. So it's always virginal to me, and it's always a surprise. ... Each piece seems to have a life of its own. Every little piece or every big piece that I make becomes a very living thing to me, very living. I could make a million pieces; the next piece gives me a whole new thing. It is a new center. Life is total at that particular time. And that's why it's right. That reaffirms my life.
I'm a little hoarse tonight. I've been living in Chicago for the past two months, and you know how it is, yelling for help on the way home every night. Things are so tough in Chicago that at Easter time, for bunnies the little kids use porcupines.
I was living in a terrible time when people were being accused of being communists, and they attacked the movie industry, especially the writers. People couldn't work if they were on the blacklist. The studios banned them. It was the most onerous period in movie history. I don't think we have ever had a period so dark as that.
How can we hope, after all, to see a tree or rock or clear north sky if we do not adopt a little of their mode of life, a little of their time? if the time it takes to cross space is a way by which we define it, then to arrive at a view of space “in no time” is to have denied its reality
Over an extended period of time, if a culture does not entail any traditions...if there are no values or if there is no awareness or social consciousness...a heritage tradition can never be developed.
The movie is usually, for me, something organic that grows all the time. I sit home and write it, and I'm in an isolated, four-walled environment, and I don't know what's going on. I just write it, and it's appearing in my head in some idealized way where every single moment works, and every little thing is perfect, because it's in my head.
I feel lucky that I was able to sign a contract for an extended period of time with a no-trade clause. I don't take that lightly. I also understand that there are gonna be ebbs and flows, and peaks and valleys.
Man is a historical being : The realisations of the powers of human individuals living at any one time takes the cooperation of many generations (or even societies) over a long period of time. By contrast with humankind, every individual animal can and does do what for the most part it might do, or what any other of its kind might or can do that lives at the same time.
There are very few voices that can speak with any kind of authority or credibility on what happened back during the time when WCW and WWF were going head to head, and I think the audience is interested in that period of time, clearly. And like I said, nobody could speak to it quite the way I could.
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