A Quote by Chris Evans
I'll say initially acting was my first love, and that's what I pursued. But then, so far as even my first day on a film set, and just watching how things were set up, I just said, 'I think I want to be in charge.' I am very much type-A. I am a bit of a control freak.
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Yes," he said. "I am sure. I double-checked everything after you went home yesterday. I even made a few improvements, just in case." The first part of that reassured her. The second part... not so much. "What kind of improvements?" "Oh, nothing, really. Mostly just streamlining. You really did very well; I certainly don't want you to think that I am one of those people who has to be in control all the- Oh, well, I suppose that's actually true- I do have to be in control all the time. But only because I am in charge, of course.
I certainly don't feel like I am desperate to run away from a film set. I love the hustle and bustle. Everything is sort of mad right before a take, and then it just settles, and you've got these two minutes of a bit of magic. I just love that in film.
Well, I kind of did the math in my head when I was like, 9. I was like, 'Well, if I want to make films' - because I want to be a director - 'I could just go on a film set and learn there.' And then I ended up falling in love with acting and the set and making friends all the time. And so I've just been doing that ever since.
All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
My sister pursued acting, and one day, I was like, 'Hey, I want to do acting, too' - this was just in commercials - and then one day, I got an audition for my first movie, 'Smurfs 2,' and I did it.
I love music. That's my first love. I'm actually going to start working on that full-time very soon, but I love acting as well. It satisfies a different part of who I am. I love to pretend, to imagine, try new things, work with different people, and just see how far I can go.
I didn't even have a career before 'Stranger Things' - it was my first acting job, my first time on a professional set, and my character wasn't even supposed to be a big deal - it all just exploded.
One easy mistake to make with the first novel is to expand the short story. Some things are better as a story; you cannot dilute things into a novel. I think the first hundred pages of a novel are very important. That's where you set things up: the world, the characters. Once you've set that up, it'll be much easier.
The amount of preparation I saw from someone like [David] Fincher, and how aware he is of everybody else's job on the set, and how much respect he has for every aspect of the film, and every aspect of the frame - that's the type of actor I am now; it's not the type of actor I was then. But without understanding his process, and then coming to learn it later on, I would never be the actor I am now.
Look at how lucky white people are compared to black people, who have suffered so much just because of their skin color, and then there are native people, who were the first people of this country and have suffered so much just because some newcomers came over and said 'hey this looks like a nice place to set up camp, just hand it over to us.'
In the acting world, you can really only become good by practicing and doing it, and I just think every time you walk onto a set you just become better and better. I think I'm in a totally different space than I was back then on that first movie set.
I'm just used to having so much control in music and in acting you have to give that up a bit. Sure, our voices are heard on set, but at the end of the day you can lose an argument. Whereas in music, if I feel the second verse needs to be changed I can change it. I find it really hard as an artist to give up some of that control.
I remember meeting my manager Eamonn for the very first time, and one of the first things he said to me was, 'You're fat. The first thing you need to go is get to a gym.' It was quite a wake-up call. I got a bit angry initially, like, 'The cheek of him', but I'm quite a pragmatic and thick-skinned person, so I just went ahead and joined the gym.
I've always been quite good at watching someone do something and then picking it up, so I turned that talent to watching people on the film set, and just saw how small everything was and how intimate the scenes could be.
The pressure is always very high. I am the client, and when I am the client, I need to fight with the photographer or with the stylists or with all the people that are on the set, because I am the only one who has a very specific vision. I always have the pressure, either from myself or from the company. I am a control freak. It's part of my culture. I know that I am still working to build a Frida moment at Gucci.
I don't know what I am on set. I can be many different things on set depending on how stressful a situation is. But at the end of the day we're making movies, we're not saving the world... we're not an army, no one's lives are at risk and we're just trying to make art, so I think as long as you keep reminding yourself that's what it's about you can have fun.
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