A Quote by Chris Evans
If you're strutting around Beverly Hills and hitting up these big industry parties every night when you're not making movies, then it's going to eventually consume you. But for me, I live most of my life in Boston. I do things no different from the way my buddies back home do them, except when I go to work, I go to a film set.
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For instance, I'm in Beverly Hills right now at a hotel. I told myself, "Man, it's so beautiful out here. If I ever moved to L.A., I would probably want to buy a house in Beverly Hills." The thing is, once I leave Beverly Hills, [I realize] there's no bodegas in Beverly Hills. Once I leave L.A. and go back to Miami or if I go visit New York, it's like, "Oh man, there's the bodega." What I'm saying is that you can't forget the reality. Sometimes people take success and forget about reality.
On film, when you're driving home from the set, you realize what you should have done, but it's too late. When you're taking the subway home from your play, you realize what you did wrong, and you go back the next night and you do it better, or you screw it up again in a different way. It's a different thing altogether.
I did some commercials and a couple of B movies, then a few pilots that didn't go anywhere. Eventually I did the pilot for Beverly Hills, 90210. The rest is history.
I get up, I have breakfast, go work out, go to my eye appointment, come home, relax for a couple hours, and then go get my kids from school and start carpooling them around to their different activities and things they do.
If I read a script and the subject stays with me - then that's when I want to go to work. Before, I was very addicted to being on set, and I was doing three or four movies a year for many years. Now, fortunately, I can go to work only when I am passionate about a project, and the rest of the time, I can live my life. I'm not interested in doing movies just as a marathon. When I go to work now, I have much more to give. But the other way, you get empty.
There are a lot of people in Beverly Hills who come from the Middle East, who are very much a part of the Beverly Hills fabric, and their kids grew up with the privileges of Beverly Hills. And yet they still have to deal with a lot of the prejudice against them for being foreign-born.
I thought Beverly Hills was a gated community. I always drove around Beverly Hills because I thought that there's a guard that was going to stop me.
There are these fantasies among people who watch movies where they're like, "Oh, there's a chemistry between them - something going on." And sometimes there is. But for me, it's more like, I go to work, I do a job, I play a role, and then I go home. I don't wear a cape at home. I'm not an invulnerable alien at home.
If you mess up the performance on stage, you do it again the next night. You're like alright, you let yourself off the hook, and you've got to go back in there. Whereas, with a film, I would go home and be like, "Well, I've ruined the arc of the character forever. That scene is never going to work. I know because I can never shoot it again." So, it's all miserable, but in different ways.
The public interest always surprises me. I come to work in these rooms with no windows. At night I go home. I just live my life. I guess I just don't think much about whether people are going to watch. Most of my friends don't know much about what I do, and we don't talk about it. I have a different life away from work. Which is fine, because my work can get pretty intense.
I'm a big golfer, so in the offseason, that's all I do - golf and play basketball. But during the season, I like to go bowling, watch movies. I love going to the movies. I go to the movies in every city we go. And when I'm at home I play video games all day.
I'm lucky that I get to jump around, do a big-budget comedy and then a smaller film. I don't even make a big distinction between them. No one believes this, but it's the same. I'm the same person, trying to make it work. I just love being on a movie set. I like making movies.
When I started acting, my mom said, "If you want to go to film school and eventually direct, being on set is probably the best film school in the world." I'm incredibly grateful for the career I've had, but I was an actor to be a part of movies and TV, not the other way around.
I love the theatre. It's a perfect life for an actor: you can do a couple of movies and then go and do a play, and then go back and do another movie. It's a nice way to live your life.
People have different goals, when you start out making a movie. If the goal is darkness and destruction and despair, it's not like, "Hey, let's go to set, and then let's hit the bar afterwards. Let's jaunt into London and pick up some Chinese food." No, you go home from set and you go fight at the gym, and then you go to sleep. You stay in it. You never excuse yourself, you never take it easy on yourself, you never eat good food.
And by banning [smartphones] from the set, the whole crew tends to work tighter with each other. And then it just becomes a thing where people kind of fall in love with the idea, 'This is the film-industry that I signed up for! This is really wonderful.' But then they go back to another set and everybody's on their cellphone, everyone's in their own little box, and they get depressed about it.
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