A Quote by Chris Gethard

If you are a New York comedian who knows how to improvise and has glasses, you're going to start getting commercials. — © Chris Gethard
If you are a New York comedian who knows how to improvise and has glasses, you're going to start getting commercials.
There's nothing more fun than seeing the things that you dreamed about when you were a kid come true. I'm headlining an iconic theater in New York City during the New York Comedy Festival. When you're starting off as a comedian, you don't think that's ever going to happen.
When I moved to New York I started to do a lot of TV commercials. It just kind of naturally evolved from still photography to commercials.
I've done commercial work for Amtrak. However, that was branded as Stanton. I stipulated at the very beginning that it was not going to involve 'Humans of New York,' that I wasn't going to promote it on 'Humans of New York.' So nobody who follows me really even knows that I did it.
When I think of New York I have a very different feeling. New York makes even a rich man feel his unimportance. New York is cold, glittering, malign. The buildings dominate. There is a sort of atomic frenzy to the activity going on; the more furious the pace, the more diminished the spirit. A constant ferment, but it might just as well be going on in a test tube. Nobody knows what it's all about. Nobody directs the energy. Stupendous. Bizarre, Baffling. A tremendous reactive urge, but absolutely uncoordinated.
Moving to New York made all the difference in my creating this new series with Ellie Hatcher. I love Portland, and it's always going to be one of my favorite cities, but it was getting to the point where, after I'd moved to New York, I couldn't write as specifically about Portland any more.
I moved to New York when I was 17 and I had no idea what I was doing. I really thought I was going to take that city by storm and it taught me a lot; it was like the school of life. For me, it was like a series of really hilarious experiences in New York with getting jobs and getting fired.
Many times I'll improvise it, which isn't done a lot in movies or commercials. But a lot of my commercials are improvised.
When I was 18, I was moving to New York to start college at The New School. I had done a year of college in Toronto and wasn't happy there. I didn't have any friends in New York City, but I applied and got in. It was pretty overwhelming, but everyone in New York is so ambitious and creative.
We were going to do 'Reno 911!: New York, New York, Las Vegas,' which was like a 'Die Hard' set not in New York, but in the New York, New York casino in Las Vegas. We were really excited about being locked into the one casino and doing a bad action movie.
New Yorkers know how to borrow wildly. You know, Louis Armstrong was not a New York musician. He went from New Orleans to Chicago to New York, and when he arrived here, he taught those New Yorkers. New York needs that infusion.
Nobody ever said, "Well if you want to be in movies, you should go to L.A." Everybody else was going to New York. So I went to New York with them. And then I was like, "How am I supposed to get a movie?"
Rather than thinking of ourselves as a computer, and trying to give you computer-like functionality, it's better to start from the understanding that this is a pair of glasses, and say, 'How smart can we make these glasses for you?'
I'm writing songs about New York. A lot of them carry the names of neighborhoods in Long Island. Maspeth, Montauk. I'm getting into the idea of a F. Scott Fitzgerald-esque Long Island back when New York was...New York.
I remember getting to New York and riding the subway in the morning to go to a doctor's appointment, and getting jealous of commuters that were going to their jobs.
I love New York. But how much should it cost to call New York home? Decades of out-of-control budgets, spending hikes, and relentless borrowing have made New York simply too expensive.
With a fresh start, I hope it'll work out good. I know the whole Fox story and how he came over here and had a great year for them. I'm hoping that's what it'll be - fresh start, new faces, new team, new city. I'm looking forward to getting out there.
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