A Quote by Chris Gethard
It's a fun uphill struggle, making health insurance as a comedian, actor, and author. But it's hard to explain to people how I make a living. In New York, most people know enough creative types that I make some sense. But when I'm talking to someone like my suburban cousins or my mom's friends, it doesn't always go smoothly.
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Most of the people living in New York have come here from the far to try to make enough money to go back to the farm
I know how to create and make people feel something. Honestly, if I didn't do this, I would just have some minimum-wage job in New Mexico, and I would go out on the weekends and make just enough money to pay my insurance and pay for a couple beers, and that would be it.
Half the time, you go on any one of these news sites, whether it be a Yahoo or a Google, and one of the top headlines is always, "Did a comedian go too far?" or "Comedian offends." It's like, "Really? Comedian?" A person that's supposed to make funny and make silly and historically was the only person who was allowed to make fun of the king? We're the ones that you're taking seriously?
It's okay to take yourself too seriously if you're a serious actor and you've got the scrubs on. And then with me, it's kind of like, well, I'm a comedian, I'm making fun of everybody and everything. And I'm making fun of myself. I'm having fun making fun of and for other people.
I always wanted to make a living as an actor living in New York. A New York actor. What's better than that?
As an adult, I think I wanna be living in New York City and help a lot of homeless people and try to become vegan and maybe be a band with some good friends and be making a living and be happy with how much money I have.
If you pray hard enough, water will run uphill. How hard? Why, hard enough to make water run uphill, of course!
It's hard to make a living in any of the arts. When most people think of artists, they think of the stars and the celebrities. But that's such a tiny minority of the elites who are able to make those millions of dollars. The reality is that it's very hard for the rest to make a living as an artist. So, you really have to persevere and understand that achieving the sort of success where you're making the big money is like winning the lottery.
For people who have health insurance, we can provide health insurance reforms that make the insurance they have more secure. And we can do that mostly by using money that every expert agrees is being wasted and is currently in the existing health care system.
As an artist - I'm sure like most creative people - you have a kind of board of directors that you make your work for. It's a group of people that you have, these friends, and you want to know what they think. In a weird way, you're making the work for them.
Creative new health strategies like micro-insurance for poor people or Kangaroo care for pre-term babies are transforming health outcomes in even the most low-resource settings. Dedication and innovation are transforming health care worldwide.
People don't realise what a nice thing it is for an actor to go to a job where they know or like everybody, because you're so often having to do new beginnings, starting off on set with people you don't know, having to introduce yourself and make friends.
I've always loved New York; I've been visiting New York since 1996. People don't look at you like, 'What are you doing? What are you wearing?' There is also that thing that when people know that you have worked hard to get something, people have that respect for that here. You worked hard - good for you.
I just always wanted a platform. In the past, I always dreamed of having a following and a fan base - you know, a group of people just listening and paying attention to what I was making. I think the reality kicked in that you have to make a living so that you have enough time to keep creating, you know? 'Cause if you're not making a living at this, then you're making a living working another job, and if you're working another job, you're spending all your time doing that and can't put enough time into the music.
I was actually fortunate that I never had to have any other job than being an actor. I don't have those odd stories of having to make some money here or there, but certainly there are some credits on my résumé I wish I hadn't done. It paid my health insurance, and I say that just from a creative standpoint, shows I'm not that proud of, things like that.
At the time, I was reading this Miles Davis book, and he was talking about coming to New York right after he was in high school. It kind of made me feel like, "Yeah." I didn't want to go to college; I wanted to do stand-up. And I figured, "What's the point of doing stand-up around DC? I'm always going to be under-appreciated there because I started there." I felt like I was strong enough and unique enough that I should give it a big leash to shine. New York was the best thing that ever happened to me as a comedian.
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