A Quote by Chris Gethard
I will say I miss teaching improv way more than I miss performing improv.
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I miss improv. I hate it in a way - watching it, doing it - but only because it's so challenging and nerve wracking. Improv is the only belief system I've ever experienced that directly works on how to be. Just how to be.
I think with improv - and I say it all the time because it's become such a catch thing that you talk about improv - if the scene is well-written, you don't need to improv. But that being said, if something strikes you in the moment and, most importantly, you know where the scene is supposed to go, it's no different than method acting.
Normal adult shopping is something I will never actually do, because it's no more possible for me to go shopping like normal adults do than it is for a man with no legs to wake up one day and walk. I can't miss shopping like you'd miss things you once had. I miss it in a different way. I miss it like you would miss a train.
I think it's a lot richer than what we call fleshy improv, I think it's very funny, puppet improv and fleshy improv.
Lord, what if I miss You? What if I miss You? What if I miss You? Oh, I'm so scared! God, what if I miss You? He answered simply, "Joyce, don't worry; if you miss Me, I will find you.
I had a teacher who recommended I take improv classes in Chicago - I'm from Evanston, Illinois - so I did improv classes at Improv Olympic, and that kind of opened me up.
But the classic Tenacious D songwriting is Jack or myself will have an idea - I might have a riff - and we'll improv. And once Jack's feeling it, we turn on the tape recorder and start jamming, improv on that riff, improv on those lyrics, and then go back and see if there's anything good in there.
Improv is more than just spitting out a bunch of funny stuff that's unrelated to the material. You have to stay in character, you have to react and respond as the character you're trying to play. You have to service the story, and I think improv training has helped with my listening, responding, and my audition technique. It's sounds so silly, but it's true. Because not only do you improvise during the audition, but once you get the part, they'll say, "Throw away everything. Just improv this scene. Do whatever you want." Someone could panic if they're not used to doing something like that.
There are a lot of things about playing football that I miss. More than anything, I miss competing. I miss the camaraderie. I miss the locker room and the huddle and those kinds of things.
I took an improv class in 2005 in Chicago at ComedySportz, which was short-form, more of a games-based improv. I remember it being real fun and helping with my stand-up. If I did an improv class, and then I did stand-up later, I felt looser on stage and more comfortable.
Putting is so difficult, so universally vexing, that the best the pros can do is tell us how to miss. 'Miss it on the pro side,' they say, meaning miss it above the hole. I can't even do that consistently. I miss it on the pro side. I miss it on the amateur side. I miss it on both sides of the clown's mouth.
We live in a time where improv is king and people love improv, and I think there's a time and a place for that and people who are really good at structuring improv.
As a writer, I use improv to write. Exploring characters and stories through improv and sitting at the computer and thinking about what this character would say or do helps me creatively.
I was on the improv team in high school, and after I graduated, I joined an improv company that had been established 10 years prior to me getting there. They did longform improv, and I fell in love with it. It's acting, character creation, collaborative, artistic expression and comedy - and it's scary. It was a big rush.
I had been on this improv team at this really great improv theater. It's called iO now. It used to be called Improv Olympic. They have showcases for Lorne Michaels and other writers and people who work at 'SNL' usually about once a year, although I don't know if it always happens.
Practice your improv more than learn your lines. 'Cause there's no way you'll be able to learn all those lines in a short time. You have to realize what you know and what you don't know - and what you don't know, just come up with three alternate lines or improv that you can put in that spot.
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