A Quote by Chris Hadfield
When you're on one of the Caribbean islands, sometimes it's hard to picture how they fit in with the rest, but when you see them all joined together like a necklace from space, you see the natural geographic connectedness of them all.
Related Quotes
I imagined Kandinsky's mind, spread out all over the world, and then gathered together. Everyone having only a piece of the puzzle. Only in a show like this could you see the complete picture, stack the pieces up, hold them to the light, see how it all fit together. It made me hopeful, like someday my life would make sense too, if I could just hold all the pieces together at the same time.
The most amazing moments are when something horrible is about to happen or has just happened. The iceberg falling into the ocean. That aching moment. You can see the pieces, you can see how they fit together, but you can't put them back together.
We see parts of each other, and we put them together. But if I want to see you in totality, you need to move away; we need space between us. Across the street, I can see all of you at once, but then I also see this huge vista of space surrounding you, coming in and compressing you.
Sometimes it’s like people are a million times more beautiful to you in your mind. It’s like you see them through a special lens—but maybe if it’s how you see them,that’s how they really are.It’s like the whole tree falling in the forest thing.
At a show, I'll look out from the stage and see a woman with a pearl necklace next to a guy in a Grateful Dead T-shirt next to a young kid with his mom. It's fun to see them all together.
When buyers see the pride of ownership - when they come in, and they're impressed by how clean the place is - they can picture their kids playing on the floor. They can picture the family sitting around the table. When they can picture their own family in that space, instantly you grab them, and they'll pay more money, too.
It's just seeing - at least the photography I care about. You either see or you don't see. The rest is academic. Anyone can learn how to develop. It's how you organize what you see into a picture.
I've often used the extremes in my work to comment on the mainstream. I think that sometimes a subject that I'm working on, like popular culture, is so present all around us that they're hard to see. It's like: How do you see the air you breathe? How do you see how it affects you?
When I met my first savant in 1962, I was impressed by the abilities in these youngsters who had severe disabilities. They appeared to me to be islands of genius in the sea of disability. So I've maintained that word picture since that time, of these islands of genius that are so striking and so jarring when you see them, especially in people who have severe disability.
To see talented people in roles that others might not see them in, to see how they might fit in the puzzle of the cast, has always been something that I've been good at. I think that if you look at the successes of my films and start to peel them back, there's usually a really smart casting decision that has gone into that success.
Is it an original idea? Or is it something where you're literally a creative collagist? You're taking pieces of the world that you see around you and that are inside of you and put them together in a way that you see fit.
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere
I watch these actors who when you go to buy a pint of milk you see them smiling on the cover of 20 magazines. Then when you see them in a film it's hard to believe the character because you just see them everywhere.
I've learnt that, sometimes, how others see you is not the same as how you see yourself. I've learnt about how you can be multitasking - and sometimes other people see that you're multitasking. And that's not very nice for them.
Effectively, what we are saying to the governments of Europe is, 'OK, after 300 years, you have left these islands in a pretty bad state. You've left them with terrible developmental challenges, and we believe you have a responsibility to return to the Caribbean and participate in the rebuilding of the Caribbean.'
Marriage is a lot of things - a source of love, security, the joy of children, but it's also an interpersonal battlefield, and it's not hard to see why: Take two disparate people, toss them together in often-confined quarters, add the stresses of money and kids - now lather, rinse, repeat for the rest of your natural life. What could go wrong?
Related Authors
Alan Shepard Quotes
American
Astronaut
Anne McClain Quotes
American
Astronaut
Buzz Aldrin Quotes
American
Astronaut
Edgar Mitchell Quotes
American
Astronaut
Gene Cernan Quotes
American
Astronaut
Jim Lovell Quotes
American
Astronaut
John Glenn Quotes
American
Astronaut
John M. Grunsfeld Quotes
American
Astronaut
Leroy Chiao Quotes
American
Astronaut
Mae Jemison Quotes
American
Astronaut
Neil Armstrong Quotes
American
Astronaut
Peggy Whitson Quotes
American
Astronaut
Rusty Schweickart Quotes
American
Astronaut
Sally Ride Quotes
American
Astronaut
Scott Kelly Quotes
American
Astronaut
Sunita Williams Quotes
American
Astronaut