A Quote by Chris Hansen
We created compelling television, and I think we exposed a lot of bad people who were preying on children. So if the old-guard journalists have a problem with that, then so be it.
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Our children are exposed to 10, 20, 30 times the number of words that our great-grandfathers were exposed to. We're exposed in a single day or two to more horror on our Internet Web pages than our great-grandfathers were exposed to in decades of living. We have not created modern minds for that modern world. Science and technology has just dumped it on us. And I think people yearn for it. I think you see it in what's popular. Why are people wanting to learn about meditation and talking about a purpose-driven life? It's because they know more is needed in the modern world.
I think that all journalists, specifically print journalists, have a responsibility to educate the public. When you handle a culture's intellectual property, like journalists do, you have a responsibility not to tear it down, but to raise it up. The depiction of rap and of hip-hop culture in the media is one that needs more of a responsible approach from journalists. We need more 30-year-old journalists. We need more journalists who have children, who have families and wives or husbands, those kinds of journalists. And then you'll get a different depiction of hip-hop and rap music.
Bad dogs, she believed, were like most bad children: created by those around them. But then, that was a personal opinion.
We've lost a lot of regard for straight forward news stories, and that has then been supplemented by comment, not even analysis, which has created a lot of celebrity journalists.
I think if there's some kind of crisis in news journalism... a crisis of credibility, then it's been created by journalists. I'm empathetic, I understand it and I see it, but I'm not sympathetic about it. If you want people to think of journalism with higher regard then do better work.
I didn't dream of being in television or film. But then I got married pretty young and had children, and I wanted to feed the children, so I worked a lot of film and television.
Hollywood always had a streak of the totalitarian in just about everything it did. The old moguls were essentially hard-fisted authoritarians who had created a system of linked dictatorships to control the creative people. We were supposed to be the children; mad, tempestuous, brilliant, talented, not terribly smart children.
My parents were journalists and friends with writers, artists, and just a really interesting assortment of people, so I was exposed to all lifestyles from a young age.
I certainly hear a lot of people say that Donald Trump not only incited some bad things. He also exposed some things. He exposed pain in America that a lot of us didn't have the full extent of, some of the divisions and chasms in the country.
After World War II, a lot of people moved to the cities for work and abandoned the old vineyards. Then in the 1950s and 1960s, wineries were paid to produce volume at a cheap price. That's when the Lambruscos and bad Chianti were popular.
The good television of today is probably better than the best television of the old days. The bad television of today is worse. It is not only bad - it is damaging, meretricious, seedy and cynical.
Dying is for fools. I'm proud of what I created. I exposed people to magic. I exposed people to things they would never see in their normal lives.
I read a lot of bad scripts and weird television shows. I don't know. There's a lot of work out there I was reading at 14 years old and noticing this lack of thought. And then, reading 'Afterschool,' that's full of thought. It was bursting with ideas.
The term 'web-series' has a stigma attached to it because it was created at a time when the only web-series that were being created were being created by people who would have loved to have a television show, but they couldn't. So they created a web-series instead, on their own dime. And those series look cheap because of it.
A lot of people around the world were, like, very frustrated, you know "Why don't you just release the name? Why is it taking so long?" But the cool thing is that it brought people together, like you said, it brought our fans into the experience, it sort of exposed us, exposed the process, and I think it welcomed Mike Magini, because people saw what happened to get to that point.
Bram Stoker's 'Dracula' was a story about the fear of immigration; the bad old bloodsucker swooping in from Eastern Europe and also preying upon 'our' vulnerable women.
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