A Quote by Chris Hardwick
If you're looking to freelance, just get as many gigs going as you can, and you can make it work... It's about getting as many side projects as possible, keeping as many balls in the air as you can, and what you're doing, basically, is diversifying your portfolio, with the same kinds of rewards. One falls through, and you still have another one to work on.
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Don't edit yourself too much. Don't be afraid of looking stupid, 'cool' is so rarely funny I think. And just do it! Do as many gigs as you possibly can, and watch as many gigs as you possibly can. You'll get the rhythm of it in your head and make lovely friends.
If you've as many films as I have, and missed as many opportunities as I have to do good work and been pissed off about it, you say, "Well, now you've got to start getting it right." If you get a chance, you really want to cook. And the tragedy is, when you finally feel that way about yourself, about your work, nobody wants to give you a chance. And that happens to a lot of actors. But I'm feeling very wanted these days, so there must be something in the air.
It's already not as easy, in the sense that interesting roles for girls and women tend to be few and far between. That's just the reality that I think most people would agree with. So that can be frustrating. I just get sent so many things that are like, "So, here's another story about a guy...." But that's just what it is. I'm kind of getting more excited about developing my own stuff, or getting involved early in projects and doing my best to make things that I care about happen.
170 is not a popularity contest. 170 is a working man's weight class where you work hard, you get your rewards whereas at lightweight, it wasn't the same. You could work as hard as you want, win as many fights as you want, and there's no promise what you're going to get out of it.
I think it's just a lot more pressure to make the scenes work when you're doing a film, because when you're doing a series you feel like, I have so many scenes, so many episodes, so if I don't get it exactly right this time, I have another scene later. You feel less pressure.
The Way I See It: If you're worried about getting a job-or keeping one-start a company of your own. By doing so, you'll reap the rewards of your hard work and you'll only get fired if you fail. This is the land of opportunity. Live in it.
There's always the danger that there are so damn many things that a playwright can examine in this society of ours - things that have less to do with his artistic work than have to do with the critical and aesthetic environment - that perhaps he does have to worry about whether or not he is writing too fast. But then also, perhaps he should worry about getting as many plays on as possible before the inevitable ax falls.
I think it modern society as a whole, but definitively in Brazil, spaces are so well divided and there are so many barriers, and so many divisions, so many lines and so many borderlines, basically telling you that you should be here but not here. This is my space and this is your space, and this is expressed very dramatically in architecture, we have a very kind of aggressive, almost medieval concept for architecture, which is basically keeping people out. So you get high walls, fences, and electric fences, and divisions like that.
I have met too many people who are looking for work, worrying about their mortgage, uncertain about their health insurance, and doubting that things will get any better anytime soon. Not just concerned about the present, many of us are doubting the future.
I have a philosophy, a belief, which I can see in many, many other directors that your early work is your best work, because you don't know what you're doing.
The scheduling thing is really weird with TV shows. Certain projects haven't been able to work out because of the schedule, so some of it is out of your control. You don't have very many opportunities. There isn't much time, so you want to make sure you're going to be doing something that you really feel good about or that you're going to have a good creative experience doing. You're taking up vacation time from your job, so you want it to be meaningful.
Life is not always easy. And that is a major reason why it is so precious. Many of life's best rewards are possible only because you must work your way through difficult challenges to get to them. If everything in life were easy, there would be no opportunity for real fulfillment.
We have songs and we have smiles; that is the beauty of 3HO. We have many, many songs and we have very, very, very many smiles. We have all the tools not to be fools but still sometimes we mess up. But it's all right. If one thing doesn't work another will work-we have the technology and methodology to become and be good, graceful, courageous, pure human beings. We are all on the same path. Nobody is slave to anybody and nobody is subject to anybody. We worship no man but we love every man.
American views today are weak, confused, and divided. On one side, many progressive liberals still think that we humans are essentially good and getting better and better. On the other side, many postmoderns actually think it is worse to judge evil than to do evil. And in the middle, many ordinary folk plaster life with rainbows and smile buttons and wander through life on the basis of sentiment and clichés.
I like so many kinds of music, and I work with so many kinds of music as a producer. When you work in 14 different genres, I find myself writing in those genres.
It was certainly not by design that the particles fell into order, they did not work out what they were going to do, but because many of them by many chances struck one another in the course of infinite time and encountered every possible form and movement, that they found at last the disposition they have, and that is how the universe was created.
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