A Quote by Chris Hardwick

Television and movies just take so long. If you pitch a show or develop a project, it can be a year before your show even gets on the air, if it gets picked up. — © Chris Hardwick
Television and movies just take so long. If you pitch a show or develop a project, it can be a year before your show even gets on the air, if it gets picked up.
Television and movies just take so long. If you pitch a show or develop a project, it can be a year before your show even gets on the air, if it gets picked up. Just the concept of "I had this idea" and within a week it was in the world, that was a part of why it felt weirdly empowering as a performer.
There are not that many people who can say they have been on a show long enough to leave it. Usually, you don't have a choice. The show gets canceled. There are very few people who live in the rare air of being able to leave a show while it is still in production.
When you book a network show as an actor, it's like, 'Oh my gosh, I booked a network show,' and then it gets picked up.
Drew's a funny guy. Because anything he gets into, he gets in 100%. Even when we were doing 'The Drew Carey Show,' he got into bowling, and suddenly he's phoning up pros for tips and carrying around 3 balls. It's just how he does it.
I always write and create. I'm never not creating. I'm always creating a show, every year, whether it gets picked up or not. I always sell a pilot or an idea. I like to be in control.
It gets kinda monotonous, but that's television. There are plus sides and down sides. The positive side is that you have steady work for nine months of the year for however many years your show is on TV,.
I'm most excited that the hard work has paid off for myself and the team. You put your heart and soul into something and you want to show it to an audience outside of Jersey Boys. It gives a chance to not only show my work, but of Jeffrey Schecter as an actor and co-writer. It gets to show off our cinematographer, my production team. That's what I'm most proud of… everybody gets to have their own moment to enjoy it.
My goal every year is to be bigger and better than I was the year before. The competition just keeps getting better, and the pressure just gets hotter. Nothing gets easier.
Whatever gets your goat gets your attention. Whatever gets your attention gets your time. Whatever gets your time gets you. Whatever gets you becomes your master. Take care, lest a little thing horn in and get your goat
The Monica Lewinsky scandal was happening at the very time I was writing the West Wing pilot and it was hard, at least for Americans, to look at the White House and think of anything but a punch line. Plus a show about politics, a show that took place in Washington, had just never worked before in American television. So the show was delayed for a year.
The truth is, working on single camera, show or film, you have no life. You work 60-80 hours a week. You're up before your kid gets up, and you're home when they go to sleep.
I don't believe, in a show like ours, that you really want to see character growth. That's just my opinion. Maybe to a small degree, but nothing serious. To that end, it doesn't have the same importance that it would have, if you were on an hour-long show. I think an audience gets really hungry for a character to grow and change on an hour-long show, and I think I would be more antsy.
I think television is moving more into movies, particularly with serialization and almost cinematic proportions and expectations. A show like 'Game of Thrones' is a perfect example of that, or even a show like 'The Wire,' which isn't all about instant gratification it's about inviting someone into the long experience of television the way you'd be invited into a theater for two hours. So I think in that way, and the quality of writing in television is probably much better than most film writing.
I am a competitive person, but it's so hard to do a show. Anybody who gets to the point where they get their show on the air, I wish them the best. It's too hard. I'd rather waste energy thinking good things on myself.
One of the things I've learned - before I would go on a show, I was like, "Oh God, I hate that show" or "That show is gonna get canceled." But now after being full-time on a show, you see how difficult it is and how much work goes into it and how so many decisions are based on finances or people's schedules or talent or location issues. It's a miracle that anything gets made.
I have come up with a sure-fire concept for a hit television show, which would be called `A Live Celebrity Gets Eaten by a Shark'.
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