A Quote by Chris Hardwick
Freelancers are 'free' because they take risks - they don't like being told what to do. That's both exciting and daunting, because you have to police you.
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There are some risks we choose to take because the benefits from taking them exceed the possible costs. Optimal behavior takes risks that are worthwhile. This is the central paradigm of finance: we must take risks to achieve rewards, but not all risks are equally rewarded.
I decided to start a medical training program for freelancers, only freelancers. They're the ones who are doing most of the combat reporting. They're taking most of the risks. They're absorbing most of the casualties. And they're the most underserved and under-resourced of everyone in the entire news business.
For me, when I was growing up I was told the police weren't on our side. From being stereotyped because we drive nice cars to being judged for the clothing we wear, I was told I would never be given the benefit of the doubt.
There are some films that you know will do well. Then there are others which have good stories that ought to be told. But because they are slightly risky, not everybody is willing to take that up. But I think it is important to take risks because at the end of the day, you want to explore new genres and new characters.
The trouble is that the risks that are being hedged very well by new financial securities are financial risks. And it appears to me that the real things you want to hedge are real risks, for example, risks in innovation. The fact is that you'd like companies to be able to take bigger chances. Presumably one obstacle to successful R&D, particularly when the costs are large, are the risks involved.
It's very important to take risks. I think that research is very important, but in the end you have to work from your instinct and feeling and take those risks and be fearless. When I hear a company is being run by a team, my heart sinks, because you need to have that leader with a vision and heart that can move things forward.
I don't think about taking risks anymore because there aren't any risks to take.
Just because you can watch half-nude women on afternoon television or gay men kissing on the streets of nearly any major city does not mean America is free, as complacent liberals might think, much less too free, as conservatives often suggest. Just because most dissidents are left alone doesn't mean there is no police state, for that would be convenient indeed for the police statists: the idea that people ought not complain so long as they have the right to do so.
People who take risks like Amy Winehouse and Norah Jones take a second to catch on, but eventually they do because they're different and honest in a musical landscape that's not always like that.
The Moulin Rouge is, like the West Village and the Nasdaq, one of those places that people who don't like to take risks come to for the thrill of being on the spot where risks once were taken.
The thing is doing it, that's what it's all about. Not in the results of it. After all what is a risk? It's a risk not to take risks. Otherwise, you can go stale and repeat yourself. I don't feel like a person who takes risks. Yet there's something within me that must provoke controversy because I find it wherever I go. Anybody who cares about what he does takes risks.
I say I'm the only serious comedian in the presidential race. And I'd like to take this opportunity to ask both Romney and Obama to debate me. Because I think that both of those guys - I think that the American people are being given a false choice, because the choice between the lesser of two evils is a false choice.
I'm not an artist, and I want to take risks, and when the possibility of failure occurs, it's because the idea is all exciting or interesting as a high wire act, and sometimes you've got to fall off, just by virtue of the fact that you're constantly trying to evolve and do new things.
There is no pressure on me, I can take a lot of risks in the coming weeks. I feel free to ski the way I decide on race-day because the overall title was not my main target this winter.
I mean, the title of my show is my name. That's not because I was an established voice. It's because of a rising number of outlets, and an increased willingness to take risks. All the sudden, people like me are finding themselves in the position to make things.
My problem is, whether it's for emotion or for the talents that a character has to have in a role, I find it very difficult to not take on a challenge. I need to say, "Okay, enough, take the easy road." But the easy road for me is not - it might just come out coincidentally. I wouldn't ever choose a movie because it's easy. I might choose a movie because I feel like being funny, or I feel like being able to do something that is perhaps dramatic, but to a lesser degree. Because I like switching it up, basically, not because I would take the easier road.
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