A Quote by Chris Hayes
I feel uncomfortable about the word hero because it seems to me that it is so rhetorically proximate to justifications for more war. Um, and, I don't want to obviously desecrate or disrespect memory of anyone that's fallen, and obviously there are individual circumstances in which there is genuine, tremendous heroism, you know, hail of gunfire, rescuing fellow soldiers and things like that. But it seems to me that we marshal this word in a way that is problematic. But maybe I'm wrong about that.
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It's very difficult to talk about the war dead and the fallen without invoking valor, without invoking the words 'heroes.' I feel ... uncomfortable about the word hero because it seems to me that it is so rhetorically proximate to justifications for more war.
The reason I keep talking about a wife and saying the word 'wife' on stage is because it seems a funny word to me. The more you say it, the more it seems to detach from that person and become this sort of abstract thing: that you would set out to find a wife, that it would be an objective like buying a new car.
The reason I keep talking about a wife and saying the word wife on stage is because it seems a funny word to me. The more you say it, the more it seems to detach from that person and become this sort of abstract thing: that you would set out to find a wife, that it would be an objective like buying a new car.
I feel like the reason I ended up becoming a playwright is because I never choose the right word. As a kid, my fantasy profession was to be a novelist. But the thing about writing prose - and maybe great prose writers don't feel this way - but I always felt it was about choosing words. I was always like, "I have to choose the perfect word." And then it would kill me, and I would choose the wrong word or I would choose too many perfect words - I wrote really purple prose.
All this, all of this love we're talking about, it would just be a memory. Maybe not even a memory. Am I wrong? Am I way off base? Because I want you to set me straight if you think I'm wrong. I want to know. I mean, I don't know anything, and I'm the first one to admit it.
Postmodern theatre seems unwilling to listen to talk about textual or theatrical heritage, which it treats as no more than memory in the technical sense of that word, as an immediately available and reusable memory bank.
With a novel, you have the reader with you a lot longer, and you owe him a lot more. Obviously you have to have a plot - I say "obviously," although I think a lot of fiction doesn't, and nothing seems to happen. But to me, there should be something that happens, and it should be at least vaguely plausible. And because the readers are going to be with these characters for a long time, you have to get to know them and like them and want to know what happens to them.
What I’m sorry about is not being a tipsy idiot when you found me. I’m sorry about that, obviously, but more sorry that my stupidity caused us to lose a great opportunity. I don’t imagine you would have met me and fallen crazy in love with me, but I would like to think that if you’d had a chance to meet me under different circumstances, something just as nice could have happened. We could have become friends.
The word "archive" seems so reassuring, but I'm not sure about these things that are now being called archives. Is anything lost by the fact that the word has come to mean so many more things.
What I`m starting to think of as the mythical beast of the Republican establishment, which is the sort of inchoate idea that we keep talking about what they`re going to do and it never seems to have much impact or be manifest in very visible ways, obviously, it is one thing for Donald Trump to have taken a shot like he did early in his campaign at John McCain, calling him not a war hero.
I hope I can get to more and more of the Chinese audience and kind of lead the way to maybe, y'know, inspire seems like a big word, but y'know... inspire to get people into entertainment because I think we can be just as good as anybody else.
Obviously, I don't want to leave Boston. Obviously, I love it here. Obviously, the fans have treated me great. No doubt about that.
A hero is someone who rebels, or seems to rebel, against the facts of existence and seems to conquer them, but obviously that can work at moments.
The most problematic word in America is the word "problematic." It's a wuss word used by people to silence language without actually saying that they want to silence you. They don't want to go full fascist.
Going to a site with more users seems obviously better to me, but at the same time, having a bland, middle of the road profile with bland, middle of the road pictures seems like a bad strategy to me.
How many times in life can we make decisions that are important but will not hurt anyone? Are we obligated- maybe we are- to say yes to any choice when no one will be hurt? We use the word hurt when talking about things like this because when these things go wrong it can feel as if you were hit in the sternum by a huge animal that's run for miles just to strike you.
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