A Quote by Chris Hayes

Screenwriting Joe Eszterhas have always talked about the charm of evil. — © Chris Hayes
Screenwriting Joe Eszterhas have always talked about the charm of evil.
The script was classic Joe Eszterhas, intelligent, steamy and provocative. At one time, Eszterhas was Hollywood's highest paid writer, illiterate rock and roll bad boy whose 14 films glorified sex, drugsa nd cigarettes. Eszterhas also fought publicly with producers and politicians. In 1995 he argued that some of the misdeeds of the Nixon, Reagan and Bush administrations were more obscene than anything in an "R" rated movie.
All has changed, thanks to Joe Eszterhas' life-threatening battle with throat cancer. He announced in "The New York Times" that he and Hollywood had blood on their hands and now Eszterhas is crusading to stop Hollywood's glamorization of smoking.
I love what Joe Eszterhas written about Bill Clinton. It's hilarious, Clinton as a rock star, which is the way we should remember him.
When Al Gore picked Joe Lieberman to be his running mate in the 2000 presidential campaign, Eszterhas wrote "Joe Lieberman frightens me. Why should we, an Hollywood voter, donate money to a man who threatens our creative freedom, our freedom of expression."
I'm reading Joe Eszterhas biography; it's fabulous. Every time he made a movie, he fought with the director or the producer over the ending.
The interesting thing was we never talked about pottery. Bernard [Leach] talked about social issues; he talked about the world political situation, he talked about the economy, he talked about all kinds of things.
The spotlight was on me. I pretended it wasn't, but it was, and for every wrong reason. It was all about money, it was all about my supposed competition with Joe Eszterhas over who'd be the highest-paid screenwriter. I didn't care. I just wanted to write stories, try to become a better writer, improve my style, change genres, even try new things. I didn't like action so much any more.
Fidel Castro just talked a long time, and he talked and he talked and he talked and he talked... and he talked during the meeting. I think it was about four hours. But I guess that's part of the Castro spirit.
The old days of screenwriting, and myths about screenwriting, are maybe over. It's a literary form, if you can wake up to it.
I had always been interested in screenwriting, ever since I could write things down as a child. Obviously, I started as an actor, professionally, but screenwriting was always something that I had a great interest in.
It's really important to have role models, and a lot of the ancients always talked about this. Seneca talked about this, Aristotle talked about this, and in fact, this was my boxing coach's philosophy in college, was that you have to have role models.
G.I. Joe is not shown in Korea at all, basically, so a lot of people didn't know about G.I. Joe and I also didn't have the information about G.I. Joe.
There are things about Joe Torre, if I wanted to come out and say, would show how cold and calculated he really is... Joe Torre is for Joe Torre. ... The graveyard of Yankees coaches is loaded with bones of coaches Joe Torre did nothing about.
I have a feeling the writers who find screenwriting difficult are usually just not lazy enough for the job. They don't know how to stop before the task is done. I've always had a knack for leaving things unfinished, which makes screenwriting easier for me than most.
I was talking to my dad about the stuff he grew up listening to, and 'Operation: Mindcrime' is a record that he had always talked about around the house. He always talked about it as the 'greatest concept album of all time.' One day, I started listening to it, and it just hit me. I was like, 'These songs are all hits. They're all huge songs.'
When we talked, I talked about me, you talked about you, when we should have talked about each other.
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