A Quote by Chris Hayes

I grew up in a household where we talked politics a lot and argued politics a lot. — © Chris Hayes
I grew up in a household where we talked politics a lot and argued politics a lot.
I tried to explain in 'The Nine of Us' how we grew up with politics. At meals we talked about what was in the newspaper. We talked politics non-stop! Campaigning for our brothers was a part of our lives.
I grew up in an apolitical household. I never left the country. When I became an adult, I started traveling and became interested in politics, and I probably talked about things in a silly, ignorant way.
Politics has always been personal for me. You know, growing up, I was in a very politically conscious household. We engaged with intellectuals and artists and academics from around the world who were thinking critically about politics and the intersection of politics and public life.
Politics organizes our lives. We can't disregard it. Politics has lot of muck, lot of dirt. But that doesn't mean you have to be away from it. It's ubiquitous.
I think that the moment we're living in offers the best opportunity we've had in a long time in that a lot of things having to do with identity politics are being talked about in poems. The only problem there is that a lot of the time these are being talked about in confessional modes.
A lot of men in politics suddenly woke up to the issue of women in politics when they realised: hey, there are votes in this!
The politics of personal destruction, the politics of division, the politics of fear, it's all there. It helps you to define the politics of moderation - the politics of democratic respect, the politics of hope - more clearly.
Even though I grew up in an area of England that was more conservative than my personal politics and my family's personal politics, I grew up with a lot of guy friends. There was no real difference between us. When I moved to London, it really became apparent that gender was going to make a mark. I started experiencing sexual intimidation and aggression. People coming up to women on the streets and telling them how hot they are and what they wanted to do to them. For me, that was shocking coming from a village. I thought intersexuality was a great way of exploring that shock.
I don't think I'd really talked about politics - governmental politics specifically - very often, and it was a bit of a stretch for me to do so for a variety of reasons, not the least of which is that I'm not that well-versed or educated in politics.
I grew up under the politics of my size and my skin. I grew up under the politics of the sound of my voice and a lack of agency, or a feeling of a lack of agency, and not always being able to find myself in images that were in the media.
You can see a lot of politics on a lot of different channels. I'm not interested, really, in talking in some wonky conversation about politics, though. It's not my speed. I'm not interested in the ins and outs of health care.
We talked about politics constantly in my family growing up in North Carolina. There were always debates. Being of Greek background, it's in our blood to drink coffee and talk politics.
I grew up in a progressive household with a family that believed in equality for all, and that leaves its mark on you. In the past, I planned to go into politics and never considered Wall Street as an option.
We need a new kind of politics. Not the politics of governance, but the politics of resistance. The politics of opposition. The politics of joining hands across the world and preventing certain destruction.
A lot of people pulled me up after 'Trainspotting' for its absence of politics, but the argument I make is that the absence of politics is political as well.
I think there's this great disconnect between youth culture and politics, which is a product of how our capitalist system works. I mean, a lot of the kids I know are really politically involved. They really care about politics. I think we're going to have an incredible impact on how politics end up shaking this country.
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