A Quote by Chris Hedges
In my second year of Harvard Divinity School, where I was studying to be a minister like my father, I met a guy named Robert Cox, who had been the editor of the Buenos Aires Herald during the Dirty War in Argentina. Bob used to print the names of those who had been disappeared the day before, above the fold in his newspaper. It was a kind of an awakening to me to see what great journalism can and should do.
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A year before I met Mark Brydon - he was the one I used to make all the music with in Moloko - I was living in Sheffield with a guy who was studying architecture. I used to go to his college and crash the lectures there. I had enrolled to do a fine art course, but then I met Mark, and we signed a record deal instead.
Think about a guy like Bob Mitchum, with his kind of chest gut not defining itself one way or the other. Was there anybody tougher? Lee Marvin was a marine sniper during the Second World War. They had this sense of themselves, and they had this product of being a man in a masculine way.
Mia and I had been together for more than two years, and yes, it was a high school romance, but it was still the kind of romance where I thought we were trying to find a way to make it forever, the kind that, had we met five years later and had she not been some cello prodigy and had I not been in a band on the rise - or had our lives not been ripped apart by all this -I was pretty sure it would've been.
I'd gotten myself into a kind of journalism that wasn't really compatible with rearing an infant. I'd been a foreign correspondent for a long time and had this subspecialty in covering catastrophes. It had spoiled me a little because you have a tremendous amount of autonomy, and I couldn't really see being an editor in an office.
I had always been quiet and studious in school. I was the high school editor of the newspaper.
My parents met at Fort Riley, Kan., during World War II. My father was an Army civilian; he had been trampled by a horse in his youth and couldn't enlist. My mother was studying to be a nurse and, when war broke out, joined the Women's Army Corps without even telling her parents.
I think Steve Wynn, who was like my mentor and a second father, has been a great inspiration. He's a great mentor because he's a guy who's had great business success but also has always been driven by creativity - and inspired creativity.
Derby day in Buenos Aires is completely crazy and those sort of experiences have shaped me.
I have a lot of friends who are getting married. I try to avoid talking to them about their sex lives now 'cause it's so depressing. One guy told me it had been six months since he had gotten to second base with his wife. Yeah, I don't know which one was more pathetic: that he used the phrase 'second base' or that he hadn't been there in six months?
They call me the father of illustrated journalism. What folly! I never thought any such thing. I had a small newspaper, which had been dead for years, and I was trying in every way to build up its circulation. What could I use for bait? A picture, of course.
I learned an invaluable lesson from a kid in Argentina when we were playing Buenos Aires in 2002. I came out of the hotel and this 16-year-old-boy asked me to sign his copy of my Six Wives of Henry VIII album. As I was signing it I asked him 'what does a 16 year-old like about this old music?' and he looked at me, quite hurt, and said, 'it might be old to you, Mr Wakeman, but I only heard it for the first time last week. When you hear something for the first time, it's new.' I've never forgotten that.
News at Work is a vivid, inside look at the collision of print journalism and electronic media. Based on close access to the leading news organizations in Buenos Aires, Boczkowski documents how contemporary journalism is caught in the grip of emulation; this spiral of imitation exacerbated further by global news media and their intensifying homogenization. The portrait of this transformation of the news is both fascinating and deeply worrying, and is guaranteed to provoke debate.
Well, Italy had been overrun by the War, there had practically been civil war, north and south of the Gothic Line, heavy bombing, the northern industrial cities had been bombed heavily and we had political disorder before 1948.
I feel connected to the Second World War because my father lost his father in that war. So, through my dad and the effect it had on him of losing his father young, I always felt connected to the war. It goes back years, but it still feels to me as if we're completely living in it.
Even though Helen Vendler wasn't on the Harvard faculty when I came first in 1979, she was a guardian spirit; Robert Fitzgerald gave me the use of his study in Pusey Library. Monroe and Brenda Engel kept open house, Bob and Jana Kiely made me at home in Adams House. Then, too, in 1979, Frank Bidart, whom Id met in Dublin after the death of Robert Lowell he was over seeing Caroline Blackwood Frank brought me into his circle of friends, including Robert Pinsky and Alan Williamson.
If I had been prime minister, I would have offered apologies to the Dutch Jewish community without hesitation. This would refer both to our government's attitude during the Second World War and to the very late postwar discovery that the restitution process had been poorly conceived.
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