A Quote by Chris Hegedus

Even after forty years of directing, shooting and editing films, when I collaborate with a male partner, people still perceive the man as the primary filmmaker. — © Chris Hegedus
Even after forty years of directing, shooting and editing films, when I collaborate with a male partner, people still perceive the man as the primary filmmaker.
All three parts of filmmaking [writing, shooting, editing] contribute to rhytm. You want the script to be a tight as possible, you want the acting to be as efficient as possible on the set, and you have enough coverage to manipulate the rhythm in the editing room, and then in the editing room you want to find the quickest possible version, even if it's a leisurely paced film. I definitely in filmmaking more and more find writing and directing a means to harvest material for editing. It's all about editing.
The best years of a man's life are after he is forty. A man at forty has ceased to hunt the moon.
As a young filmmaker, I shot a lot of stuff because I wanted to make sure that I got everything, but now I've gotten much more precise with my shooting. Editing is a whole other layer because then, sometimes you realize characters don't even need to say this or that. It becomes an issue of exposition, and over-explaining something. In the script, I'd reinforce certain things about what I wanted people to know two or three times, but in the editing room, I'd be like, "I only need to say this once, maybe twice."
I made adult films for over 12 years. Apart from the directing aspect, I did all of it - the filming, the editing and the stills. I shot about 300 movies, which was great fun.
Well, Toronto, I consider to be the birthplace of my films. I've made three films and this is the third one to premiere here in the same theater on the same day at the same time - they are my audience. They're the people that I think about while I'm writing, directing, and editing. I specifically make movies for them.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing.
Editing is the only process. The shooting is the pleasant work. The editing makes the movie, so I spend all my life in editing
The kind of filmmaker that I am, even my darker horror films generally are still very fun. And I think that's important for me and the kind of films I make.
I am above eighty years old; it is about time for me to be going. I have been forty years a slave and forty years free and would be here forty years more to have equal rights for all.
I was writing, directing, and editing my own films as a young kid with my parents' video camera.
I go through periods, usually when I'm editing and shooting, of seeing only old films.
It's been 50 years since I was on the roof of my parents' house shooting Hag in a Black Leather Jacket when I didn't even know there was such a thing as editing. I thought you just shot the film and showed it. That's exactly what I did. I'm not that different 50 years later.
Actually even at the beginning of my career, I never felt rejected. I was still working hard and believed in myself. I wasn't in a hurry and was picking and choosing projects carefully even then when I was just a newcomer. My attitude towards films hasn't changed even after these years.
The best thing you can do with actors is collaborate with them. My job is to inspire them to give their best. And they're only inspired if they feel they are part of the creative process, otherwise they'll shut down. So my goal is always to ask people what they would like to do before I even say my opinion. I usually don't know anything until I see it. I'm a fetish filmmaker - I make films based on what I want to see.
Forty-two years after Dr. King was murdered, we are still a nation of inequality. People of color, women, gays, lesbians, and others are still treated as second-class citizens. Yes, things have changed but we have still not achieved equality among all humans. And nonhuman animals continue to be chattel property without any inherent value.
The idea that America elected a black man to be its president forty years after it declined to allow Martin Luther King Jr. to stand on a balcony without getting shot still maintains its power to awe and inspire.
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