A Quote by Chris Hemsworth

I put the costume on and said 'It's not very comfortable, but it looks amazing,' so it's all good. — © Chris Hemsworth
I put the costume on and said 'It's not very comfortable, but it looks amazing,' so it's all good.
I put on whatever is comfortable on me. Suit, jeans and tee as long as it's comfortable. It doesn't matter what brand. If it looks good I buy it.
The skeptics said you can't put on a costume in the middle of New York - which isn't true, because everyone's in a costume here.
For me, the costume is very important. More the feel of it than the look of it. I take it more from the inside. So if I wear something that's heavy, it will affect my character. Is it very tight, and do I feel almost imprisoned, or is it very comfortable? It's the feeling of the costume that tells me where to go with the character.
I love drawing Ryan Reynolds in his Deadpool costume. He looks amazing and is the true embodiment of the Merc with a Mouth!
In the beginning, when you're acting in amateur theater and off-Broadway, it was unheard of that anyone else would get your costume. And it was important to get a good costume. You put time into that.
Kate Moss. She looks good in anything. She would look good in one of your t-shirts, in her t-shirt, in a man's suit, in a huge gown. She looks amazing naked. She even makes nude look stylish. That, to me, is a style icon. She could put a barrel on and it would be some sort of statement.
We stared at the odd garment and wondered what it was for. 'What is it?' asked Larry at length. 'It's a bathing costume, of course,' said Mother. 'What on earth did you think it was?' 'It looks like a badly skinned whale,' said Larry, peering at it closely.
Costume is always an asset. Normal costume you have a lot to say about - if you're wearing suits or ties, and what color you want, and how it's going to be cut, and stuff like that, and whether or not you're going to wear a hat, and blah, blah, blah. But, when you're wearing a special costume, and of course, costume is probably the second ingredient in character, script being first, I always find that the costume does a lot to cement your character, to put it firmly in mind.
My furniture is banal and my house is pretty empty. The hardest thing to find is a sofa that is comfortable and looks good. The ones I like are never comfortable.
You look angry," he said. "You put me on hold." "For a very good reason." "You put me," she said very, very slowly, "on hold.
We have a costume closet at home. My family will put on a costume for any excuse.
I like comfortable clothes. Most men in the world wear T-shirts every day and jeans. I wanted to always put my street style to the high fashion looks and just make it comfortable and make it look stylish.
I've turned up to costume parties in the wrong costume. I've made social faux pas a plenty. I've put one foot in front of the other and fallen over.
The hats are tough. I've got a weird head, so believe me, there were a lot of hats. Penny [Rose], our costume designer, who I knew from other jobs said, "Badge, that looks terrible on you. Hold on. No, we can't do that one."
I always said put me in front of 40 or 50,000 people and play hockey, I'm comfortable there. Put me in front of 50 people to talk or get in front of, and that's where I'm probably the least comfortable.
Suppose we pick a name for him, eh?" Caius Pompeius stepped over and eyed the child. "He looks a little like my proconsul, Marcus. We could call him Marcus." Josiah Worthington said, "He looks more like my head gardener, Stebbins. Not that I'm suggesting Stebbins as a name. The man drank like a fish." "He looks like my nephew Harry," said Mother Slaughter... "He looks like nobody but himself," said Mrs.Owens, firmly. "He looks like nobody." "Then Nobody it is," said Silas. "Nobody Owens.
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