A Quote by Chris Henchy

It's hard to get a great idea sometimes. When you get a good one and you have a good script, you want to keep shepherding it to make it happen. — © Chris Henchy
It's hard to get a great idea sometimes. When you get a good one and you have a good script, you want to keep shepherding it to make it happen.
A script is just a script. A good script can be a bad movie, so easily. It's the process that makes it good. You need a good script, don't get me wrong, but you need all those other things to make a good movie. You really do.
Sometimes we'll only get one script in a year that we want to make that we feel is good enough.
I think that whenever there's a good script we try to make that happen, but it's all based off of a good story, a good script, but I don't believe you should do it just because it's African-American.
I've never been able to develop a movie over several years, and keep coming back to it and adding to it. I get excited by the spark of an idea, and if I can't go make that, there's another idea that comes along that I get excited about. It has to happen quickly, in order for it to happen, at all.
I didn't want to get into any Amazon Prime Video show just like that. I was waiting for a big series to come where the script is good, the role is good and where there's great talent.
Sometimes even hearing a bad idea is a great way to get to a good idea.
The great and the good will decide what is good for us and make sure that we get what is good for us, good and hard.
I was feeling pretty good out there in the middle when I went in, but it was one of those things - sometimes you get a really good ball. If it gets you out you just have to forget about it and make sure you do the hard work out there next time you get in.
There's this famous observation that I totally believe: Great startup ideas are the ones that lie in the intersection of the Venn diagram of 'is a good idea' and 'looks like a bad idea.' So you want most people to think it's a bad idea and thus not compete with you until you get giant. But for it to secretly be good.
It's hard when you're writing for someone else. You obviously always want to do your best work, but sometimes you write and have a song idea and you're like, 'Oh, it's so good I want to keep it for us.'
The secret is to get a good cinematographer and a very good assistant director. If you get those and stay out of their way, and have good actresses, the script doesn't even have to be that extraordinary.
With a good script a good director can produce a masterpiece; with the same script a mediocre director can make a passable film. But with a bad script even a good director can’t possibly make a good film. For truly cinematic expression, the camera and the microphone must be able to cross both fire and water. That is what makes a real movie. The script must be something that has the power to do this.
I'm a filmmaker; I want to make films. I don't want to sit in a hotel room waiting to make films, and I can control my thing in Denmark; I can make the film I want to make... of course, I have to write a good script, all that, but if I do my job, it will happen.
Sometimes, you're going to have to work hard, sometimes extra hard, and sometimes you still won't get that recognition. That's life. That's the way it is. But if you keep working, eventually you'll get the prize you're seeking.
It's not often I get to do a film that turns out good. Plus, there just aren't that many great directors out there. There are a thousand different decisions that need to be made with each script and it's the good directors that can make those decisions. It's a long and complicated process in regards to what looks good on paper. Working on a bad film can be fun too. It can be a good exercise that gets you writing.
Student TV and radio are great grounding for all presenting. Just to get used to coming up with an idea, making it and getting it out there, I think that's a really good pattern and a good habit to get into.
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