A Quote by Chris Hesse

I think everything about it. Just the experience, but mainly performing live for people. I think if it wasn't for playing in front of audiences, I don't think that anyone would want to play music. That's where you get all your gratification. It's just something else to be up on stage, playing music that you wrote and having people enjoy it - and have it mean something to them also.
After every tour, I think about hanging up the touring hat, and after a while of not working, I'm ready to play. I think I enjoy playing music more than I enjoy not playing music.
I think the more music becomes something you could simply download and have on your iPod, I think to a lot of people that is plenty, but to some people, they still want these artifacts that are touchable, and you can smell them, and look at them, and hold them and just have other dimensions of experience with this music.
We started out with a lot of bands in the same generation as ours, and there are very few left. Mainly, I think people get into it for the wrong reasons. They either want fame or the girls. I think music has to be a fun experience, but it also needs to be in your blood. I firmly believe I was born to write beautiful music, and that's what I do, and that's why I don't do anything else, because I have no interest and no passion for it.
You can't think and play. If you think about what you're playing the playing becomes stilted. You have to just focus on the music I feel, concenctrate on the music, focus on what you're playing and let the playing come out. Once you start thinking about doing this or doing that, it's not good. What you are doing is like a language. You have a whole collection of musical ideas and thoughts that you've accumulated through your musical history plus all the musical history of the whole world and it's all in your subconscious and you draw upon it when you play
I don't think of music as being a competition - what I make is exactly what I want it to be for me, and it's not better or worse than anything else. I'm just trying to be the best at what I am, or that I possibly can be. And when I've done that, I feel incredibly confident and there's nothing anyone can see to dampen that, but I don't think that because it means something to me, it has to necessarily mean something to other people.
I must have just dreamed that about Liverpool playing 3-4-3. What do people think that was, a bit of luck? A British coach playing 3-4-3? A foreign coach doing that would be a tactical genius. I imagine people think I fell into that system through a stroke of luck or something... it took some thought. I didn't just throw them out there.
I just love to play music. I enjoy it more than anything. I enjoy it more than drinking with my friends in the pub. I'd much prefer to be playing live and playing the piano - playing is one of the most enjoyable things I do and I live for it. So it's very rare that I'd not be up for it. I'm very lucky to have something that I love so much; I don't know what I'd do without it.
We kind of look at music as something very natural in people's lives. I mean, most of us can relate to music in some sort of shape and form, and if you think about it, most of us remember the first time we kissed someone, what kind of music was playing or the song that was playing on our friend's birthday.
My playing music is strictly for fun. When I was in a band, I was really excited to talk about it since I had never really played music to that extent. It was never meant as something I would consider as anything more than having fun with my friends. But I think I would enjoy writing music for the movies that I'm working on.
I like any reaction I can get with my music. Just anything to get people to think. I mean if you can get a whole room full of drunk, stoned people to actually wake up and think, you're doing something.
I really enjoy playing for hours and hours. DJ sets where you turn up over an hour and you're on a festival stage, people basically expect much more pounding than I ever would play. I just feel like a fish out of water when I do those. They want something really kind of aggressive; that's not really the kind of music that I'm into.
'Just Can't Let You Go' is a song about passion. It's when you have such a strong passion and love for someone or something that your heart just can't let it go. Whether it's a special boy, girl, or that feeling you get when performing on stage or playing a sport. For me, my passion is music. I just can't let it go!
When I first started performing, some people were there just out of curiosity. I think that happens less often then you'd think, but when it is happening it's very obvious and I can tell what's going on. I had some of that in the beginning, but I think that ultimately I got a pretty strong fan base based on just my personality alone, and my honesty, my music. So it wasn't based on anything else, and I did notice if someone else came looking for something else, they'd probably leave, or complain it was too loud or something.
When I'm representing my music live I think of it very much in a rock band sense. When I first started doing festivals in the 90s there really weren't other DJs playing the stages I was playing. So I felt I was being afforded an opportunity to kind of make a statement about what DJ music can be live. In the 90s, if you were a DJ you were in the dance tent, and you were playing house music and techno music. There was no such thing as a DJ - a solo DJ - on a stage, after a rock band and before another rock band: that just didn't happen.
I think I've always been aware of it with my music. I think growing up basically and having a lot to deal with and just slowing down and having something to say and something to retract from, I think I just knew that what I was doing was extremely honest.
I think, when all bands start, when you're on your first album you have the benefit of hoovering up people who genuinely come across the music and really like it, but also those sort of 'floating voters' who just like pop music when they're young. And I think that when you get to your fourth album, those floating voters have dissipated and you're left with a core audience, and at that point you've really got to get your act together and move on to something else to keep afloat, or you'll just shrink with your core audience.
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