A Quote by Chris Hogan
I mean, I don't think a lot of people know this, but I played corner in college.
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At Kentucky, the environment and the coaching staff is going to prepare you for the next level, but the way we played in college... there's not a lot of spacing in college at all. So, I mean, you've just got to be able to play off the ball.
Getting signed shouldn't be the point. I made that mistake early on and I think a lot of people do. It's not something you should rush into. I think I'm actually lucky that when I went to visit labels when I was 20 years old and played and they thought I wasn't ready, it was probably a good thing because I wasn't ready. I didn't know what I was getting intoat the time. I mean, you never know exactly what you're getting into. There's a lot of stuff that's going on right now that's new to me but there's also a lot that I'm lucky to know how to handle.
When you think of diversity, George Duke fits that bill better than a lot of people. He's played a lot of straight-ahead jazz with people like Nancy Wilson and Cannonball Adderley; he's played a lot of fusion with his own groups, with Stanley Clarke; and, you know, he did the rock thing with Frank Zappa. He's written all kinds of big arrangements for people like Burt Bacharach. So, he's covered the board. He's still a great pianist.
But, sooner or later I'd love to do a comedy. I mean I think that, you know, people don't think that that's in my wheelhouse because I've sort of played a lot of dramatic stuff and that's certainly a side of myself that I want at some point in the right context, in the right stuff, that I find really funny.
I think the other thing that's interesting about the women's peloton is that if you ask what their background is most have played college sports, and a lot of times have come off of injury and have gotten on a bike. A lot of us start post college in our mid 20's unlike in Europe where they start 10 years before that.
I mean the most important thing you can have as an actor, writer, director, or whatever you are, poet or whatever it is, is life experience. Life experience doesn't mean you have to live 50 years to have it. I mean you know a lot of people have huge life experience by the time they're in college.
I think that a lot of people are like, 'Oh, he only - he got hurt in the college season, where they only played 40 games. How is he gonna play 82 games in the NBA season?' They don't really look at the fact that in college, you practice way harder than in the NBA.
I think Berklee College of Music had the highest dropout rate of any college - or pretend college - in the United States. Because I think most people think they're going to be in Green Day or whatever, and you actually have to learn about music you don't care for, too. I mean, I cared for a great deal of music; it's just that I didn't want to submerge myself into the well of fusion jazz.
We're weird guys. I don't know if a lot of people get our humor. A lot of people probably think we're jerks. We're real sarcastic. Really ironic and stuff. We mean well, but we joke around probably a lot more than we should.
I think that you have to have a really specific type of personality to be able to both direct and act, because it requires enormous shifts in perspective. I mean, when you're directing, you're looking at the world through a wide-angle lens, and you're seeing all of it. You know exactly what's happening in every corner of it. You know what people are going to say. You know what they're going to do. You're controlling everything.
I mean, Dad was one of these people who simply could not lose, you know? He could not stand it when a kid was beating him. He would go crazy when the child came to that moment, which, you know, you have to come to - I mean, Dad played Old Maids like he played football. He just simply had to win every single thing every single time.
A lot of guys have played college football and were in the NFL, but for me, it made my transition a lot easier, and people say I'm one of the toughest guys in WWE. I have rugby to thank for that.
One of the big concerns I have is that most of the HR departments in a lot of companies are hiring away from creativity and they don't know it. For instance, they are requiring everybody to have a college degree. The most creative people I know couldn't deal with college.
I think one thing I had going for me that a lot of rookies didn't is that we played 15, 16 games every year in college.
I use a lot of specific places in my songs - traditionally, a lot from Minneapolis and St. Paul, where I grew up. Most people, especially when you get into international touring, have not been there. So you say, "Well, isn't it risky to talk about the corner of Franklin Avenue and Lyndale?" If you do it right, someone should say, "God, I know a corner like that." Offering specific details to describe something universal.
The career I chose was a drama major in college, at Yale, when I played a 90-year-old woman. One of my most celebrated roles. Then I played a really fat person. I played a lot of different things. That's how I thought I loved to wrangle my talent, my need to express myself. I like to do it that way.
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