A Quote by Chris Isaak

I talk to people who are musicians, and they go, Oh this is hell. And I go, Are you kidding me? You never put tar paper on a roof, did ya? — © Chris Isaak
I talk to people who are musicians, and they go, Oh this is hell. And I go, Are you kidding me? You never put tar paper on a roof, did ya?
Don't let them fool ya, or even try to school ya! Oh, no! We've got a mind of our own, so go to hell if what you're thinking is not right!
I'm giving up acting. . . . I'm 66 and there are a number of celebrations I've got to get down on paper, and acting doesn't allow me to do that. It was a hell of a drug, performance. It's a great thrill, especially for a storyteller. But it can go. Directing can go. Writing can't go. And in terms of what lies ahead, I want to have a burning focus - almost like smoke coming up from the paper as I write.
Sometimes if I tell people, 'I'm afraid that I'm really a fraud,' or 'I have a lot of self-doubt,' they go, 'Oh, no, you're kidding.' I go, 'No, I'm really honest.'
Oh it's fantastic because I get to whip people like David into shape and tell them to go get me coffee. Kidding - okay.
I'm hardly a known name, but I don't want to go, like, 'Oh, people call me a storyteller comedian, let me just go up and just talk about my day.' I don't want that to happen.
Let me tell you, people go on and on about what a great idea electricity was, but I'm going to put toilet paper right next to the wheel and say those are the best ideas anyone's ever had. Scoff at it if you will, but try living for two millennia without it and then we'll talk.
I called my grandmother yesterday. She picks up the phone, 'Oh hello, dear, hold on a second, I just stepped out of the shower. Let me go put some clothes on.' I said, 'Hey Grandma, don't ever tell me you're naked again. Go put a lot of clothes on. Then put some more clothes on. I'm going to sit here and drink and try to forget you naked in my head.' I'll never eat raisins again.
When you're in a meeting and you pull out your paper notebook, people look at you and go, 'Oh, he's taking a note.' But if you're in a meeting and you pull out your iPad, they go, 'Oh, he's checking Facebook.'
A lot of people have a fear of Shakespeare. Even actors do. People are like, "Oh, I won't go and see Shakespeare because the language is so hard," but it is. When you read it on the page, you go, "What?! What does that mean?!" If you go to a Shakespeare play and you've never been, you sit there and go, "I'm an idiot! I don't get it!"
I'm going to talk to her." "And how's that going to go? You're just going to walk up to her and say, 'Hey, I know you've never seen me before, but I'm your dad. Oh, and guess what? You've won the evolutionary lottery: You're a vampire. Let's go to Disneyland!
This Fruity Pebble that ya dealin' with, I ain't ya average jabroni. I'm like a big purple pinwheel, Rock, so go ahead and blow me.
Oh sky, without me, do not change, Oh moon, without me, do not shine; Oh earth, without me, do not grow, Oh time, without me, do not go. ...Oh, you cannot go, without me.
When I announced on my Facebook page that I'm coming to Israel, people started telling me that I shouldn't go there, but I figured that if I'm not going to come here, then I guess I can't go back to the United States anymore and I can never go to Russia again and I should probably never go back to Germany and I should probably never go back to France and I should probably never go back to England....All I see here is a really beautiful city.
If I do something for a public space, it's not something that I have in my head and go, "Oh that's a good location. I should put it here." That for me never exists. When I see the site, then I have an idea that is new and I would never do unless it's there. It's the space or the people there, which will give me the idea.
Oh, what the hell did I know? I went to the set the first day in full makeup and the director told me to take it off. So I did the film without makeup. I had nothing to do with anything I did. I never understood why I was so famous.
When you hear the melodic structures of what classical musicians put together and you compare it to that of a rock & roll record, there's a hell of a long way rock & roll has to go.
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