A Quote by Chris Isaak

I'm the star of stage, screen, and television now, but I'm also available for children's parties and bar mitzvahs. — © Chris Isaak
I'm the star of stage, screen, and television now, but I'm also available for children's parties and bar mitzvahs.
I danced for, like, 11 years at bar mitzvahs and executive parties. I'm a professional energy producer. I produce energy, baby.
My microphone skills were developed at a young age watching my dad on the microphone. My dad DJ'ed bar mitzvahs, bat mitzvahs, things of that nature.
I said the screen will kill the reader, and it has: the movie screen in the beginning, the television screen, and now the coup de grace, the computer screen.
Posing on the red carpet feels like you're selling something that has nothing to do with you. If you do it with someone else, it's like we're saying, 'Oh! We come as a pair! Would you like to buy both of us? We're available for weddings and Bar Mitzvahs!'
I am terminally sentimental about graduations. They are more individual than weddings, more conscious than christenings, or bar mitzvahs or bat mitzvahs. They are almost as much a step into the unknown as funerals-though I assure you, there is life after graduation.
I was an emcee for bar mitzvahs from age sixteen to twenty-one.
I went to bar mitzvahs as a kid. I had a lot of classmates who are Jewish.
Do I do bar mitzvahs? No. You know, you've gotta draw a line somewhere.
I am available for children's parties, by the way.
Much of my music is inspired by what I heard at picnics and weddings and bar mitzvahs.
When you're on-stage, you're expected to perform in the bar business. You shake hands. You smile. You're all positive energy: you add to your environment. When you walk in the door to the back of the house, that's like a stage door. You're off-stage now.
I would see musicians performing at weddings and bar mitzvahs, and I knew that at the very worst I could do that.
I started singing weddings and bar mitzvahs at 15, lying about my age. It was a great discipline.
All of my friends on the street we're Jewish. I went to a lot of bar and bat mitzvahs. I even learned a little Hebrew.
I used to work over a bar. That was - there was no stage. I stood over a tiny bar. Louis Prima, rest his soul, he worked there. I was the guy that filled in when he was off the stage.
I also, since we have digital cameras, the blue screen composites are so good that I would rather shoot on a stage than there, especially the complicated sequences. The sun never sets in a studio stage.
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