A Quote by Chris Jericho

What's best for business is just continue to have an entertaining product with great, interesting characters. — © Chris Jericho
What's best for business is just continue to have an entertaining product with great, interesting characters.
At the end of the day, we all watch sports and we pay attention to different things here and there because we find things entertaining. But, I think if the product is entertaining, people will enjoy it and watch it. If the product isn't entertaining, they won't.
I believe that things kind of happen for a reason. But at the same time my real mission is just to continue working in the movie business with the scripts I enjoy, characters that challenge me and people that I admire. It's such a great business when you're in it and the ability to do things that even surprise you is continually evident. For me, it's just about challenging myself - that's the biggest thing - and taking care of my child and paying my bills.
I just want the opportunity to continue to do great films, play great characters and work with great people.
I would love to just continue playing characters that break the mold. I like making interesting decisions when playing characters, so, taking something that would seem one way and then playing it a different way.
The characters I tend to play are a little more interesting than the standard heroes. Romantic leads can be a little more straightforward, I guess. But it just seems to be the parts I get, I don't know what that says about me. I enjoy interesting characters and interesting people, I suppose.
That's what a powerful story does. It creates a more intense experience of life for you to watch. That's what a good film does for me, anyway. That process, I enjoy. It just makes for entertaining characters and entertaining films.
There's a remarkable amount of sexism on TV. When male characters are flawed, they're interesting, deep and complex. But when female characters are flawed, they're just a mess. It's good to put more flawed but interesting female characters out there because it promotes equality.
I'll continue to face great challenges, stay on top for a long time, continue to evolve, and continue to prove with facts that I'm the best.
Every filmmaker's just going to keep trying to make it the best you can make it: make it as potent and interesting and entertaining and exciting and tough and sexy as you can.
Even while I'm really interested in playing female characters that are varied and interesting and dynamic, I'm not of the mind that you always want to play strong female characters. I think I just want to play characters that are interesting, and not all people are 'strong.'
Selling cookies is usually a girl's first exposure to the world of business. She learns how to meet the public, talk about a product, sell the product, and is responsible for collecting money, giving change, and delivering the product. That's quite a business venture for a 7-year-old.
Ric Flair is a wonderful person, and he was such a great in-ring performer. He had a great deal to do with the direction of the business. There are great characters that have come into this business, but Flair can't be duplicated.
I just felt like, you know, I read a lot of scripts out in L.A., out here in the industry and I just felt like this film was just being genuine. I just felt like it had really great characters. And all the three different characters have completely different stories and they're all kind of intertwined together thematically. So I just thought it had great characters, great themes
I think there's grays in characters if you look at all the great characters, those characters that have those layers of being good and being bad and what's the struggle. It's always more interesting to watch.
Most of my characters are an amalgamation of people that I've met, my family, or myself. Being a writer, you can draw only from what you know. I am lucky to have really rich and interesting people in my family for, you know, interesting family nights and great characters.
In the new American ghetto, the nightmare engine is bubble economics, a kind of high-tech casino scam that kills neighborhoods just like dope does, only the product is credit, not crack or heroin. It concentrates the money of the population in just a few hands with brutal efficiency, just like narco-business, and just as in narco-business the product itself, debt, steadily demoralizes the customer to the point where he’s unable to prevent himself from being continually dominated.
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