A Quote by Chris Kattan

It's a different thing shooting for 10 weeks in India as opposed to on a set on stage pretending you're in India. — © Chris Kattan
It's a different thing shooting for 10 weeks in India as opposed to on a set on stage pretending you're in India.
There are really at least two Indias, there is an India or a shining India the one which the west seas usually through urbanize and there is an India outside some of the big metro policies and in even the tier two cities and in rural India which is completely different. It goes by the name of Bahar which is a traditional name for India.
We need a Skilled India but Congress has created a Scam India in the last 10 years.
Mobility in India is going to be different from the West. In America, people would look at an autorickshaw and say, 'This is a passing thing.' But in India, you know it will stay because it is fast and convenient.
I like the concept of 'Make in India'. But the orientation of 'Make in India' is slightly different than what I would. So, the orientation of Make in India is big business, and a lot of it is defence. My orientation of 'Make in India' would be small and medium businesses.
Filming in India was one big adventure. For 'The Cheetah Girls', we were in Mumbai for two weeks, then Rajasthan for six weeks. Every day after shooting, I would hop into a rickshaw and start exploring the city. I even learned a bit of Hindi. It's such an amazing place to visit.
In 'Purab Aur Paschim,' there's one of the nicer patriotic scenes which is patriotic without going jingoistic. There's a scene set in a rotating restaurant, where Pran, who has left India, is completely running India down and Manoj Kumar is taking up for India. And there's that song 'Jab Zero Diya.'
We need efforts to integrate the nation, not divide it. The 2014 elections is about voting for India. It is to decide what kind of India we want to create. So Vote for India. Neither for a person, nor for a party, let us Vote for India.
I want to explore a new place each year, and it can be within India. When I was shooting for 'Mohenjo Daro', I couldn't travel out of the country for two years. But it gave me an opportunity to explore new places within India. I'm sure there are so many places to explore in India, and I would love to go there.
I returned to India because I believe in an India of honesty and hard work, not of corruption and crookedness. I believe in an India of openness and straightforwardness, not of hypocrisy and double-dealing. I believe in an India where opportunities are available to all, and not just to a chosen few.
Well, I am from India and I wanted to make films in English for the international market in India. So that was really the main thing, and then of course economically it was cheaper to make films in India.
India is a big country. Here people are talented, they are motivated. If they train properly, I see no reason why India won't produce world class cyclists in 10 years.
India's way is not Europe's. India is not Calcutta and Bombay. India lives in her seven hundred thousand villages.
If you write a lovely story about India, you're criticized for selling an exotic version of India. And if you write critically about India, you're seen as portraying it in a negative light - it also seems to be a popular way to present India, sort of mangoes and beggars.
When I wrote 'Monsoon,' I always imagined the music video being shot in India. The song had so much to do with my time in India with my mother as well as leaving her in India during the monsoon season to visit my family in N.Y. It really was a dream come true when I was given the opportunity to shoot in India.
The 'Idea of India' is an India of opportunity and aspiration. An India where: all are prosperous and happy, all are free from illness.
In India, the investment banking industry is a little different. Overseas, the structures are very complicated, but not in India.
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