A Quote by Chris Kirkpatrick

It's all about the special effects. — © Chris Kirkpatrick
It's all about the special effects.
Special effects are characters. Special effects are essential elements. Just because you can't see them doesn't mean they aren't there.
There were challenges with production because of the special effects. There are just some things that, although written, special effects just isn't able to do.
I think some of the special effects in Close Encounters hold up better than the new more expensive special effects is because they were better actually.
Nowadays, you can't broadcast dodgy special effects and then put up a caption saying, 'Sorry, this is what the budget was.' You have to do it with high production values because the audience has been spoilt by the special effects on things like 'The X Files' and 'Independence Day.'
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently
There is a lot of use of ProTools in professional studios, but this is mostly for the special effects it allows, not for sound quality. These special effects soon fall out of fashion, and I don't think this trend will define studios permanently.
Usually, when special effects get in the way, it's because the story isn't strong enough. If you don't start with a strong screenplay, it's easy to fall back on special effects, thinking it's going to carry you. But it never works. It's just tiresome.
The real trick to these movies and making the big action sequences work - and I've forgotten this sometimes and screwed it up - the characters really have to be humanized. Because you can have the greatest special effects in the world, but if you don't care about the people in those effects, there's no impact.
But initially when I was working with my dad, it was in special effects puppets with radio control and motors and puppet effects.
Filmmakers began to experiment with special effects almost as soon as motion pictures were invented. The history of special effects is the history of motion pictures.
When you watch the films that I'm inspired by - from the '60s and '70s - it's not about the special effects: it's about the story; it's about characters and relationships.
I've always been respectful to all the people who do visual effects and special effects, because making movies is also making magic.
What was frustrating about Armageddon was the time I spent not doing anything. It was a big special effects film, and I wasn't crazy about pretending I was in outer space. It feels ridiculous.
We have to have films about action and violence and special effects. That's the sad part, but you know what? It's not me doing it.
I don't really think too much about special effects because that's not really something I can clearly visualize, so I leave that to the pros.
I even had breasts that had mechanisms that could make them droop. It was a shock in the beginning. Talk about special effects!
This site uses cookies to ensure you get the best experience. More info...
Got it!