A Quote by Chris Klein

There's a certain thought process about actors that they are in Hollywood and they sit around pools and get suntans and just get offered jobs. — © Chris Klein
There's a certain thought process about actors that they are in Hollywood and they sit around pools and get suntans and just get offered jobs.
Too many actors get on an ego trip and won't do commercials, so they sit around for 20 years between jobs.
People have this belief that actors are able to go out there and say, 'Oh I choose this job,' but most of the time we're just taking the job we can get. We don't just get offered thousands of jobs; we might earn one job a year and that's the one we'll take because we've got to pay the rent.
Well, you know, certain - for one reason, I think that the intervention process is a good process for most people, but for me, it just looked like a bunch of my friends trying to get back at me and sit around taking jabs at me, you know, when I couldn't defend myself.
It's very rare that you get a part that you actually like. People have a misconception, whether it be because actors lie or because you're reading interviews from giantly, massively famous actors, but you don't just get offered parts, all the time. You actually have to work to get them.
I can't sit around having coffee. I have all these appointments, and a lot of my friends sit around having coffee talking about the jobs they didn't get.
Television tends to be a more difficult medium for me to get my head around sometimes when it comes to certain things I get offered.
When I was a kid, I didn't know Canadians could be actors. I thought just Americans could get acting jobs.
You hear stories about directors using manipulation to get actors to do certain things, but I think when you're working with professional actors, it's all about trust. They can do anything you want, it's just a matter of them understanding what you're looking for, and the reason why.
We don't often have the luxury of time [in Steve Jobs movie ]to have these conversations where you just literally get to sit around for day and days and analyze every line of dialogue.
As a director, I also get to sit and watch actors and learn from them in a way that I don't get to do when I'm just acting.
Certain jobs [films] are for the business really, because they get an audience, they get a global audience. Certain jobs are as an artist. If I can keep moving forward and strike some form of balance between them two, then I'm going to feel content.
When I'm working, it's those actors (you know who you are) who sit around moaning that their trailer isn't big enough, or how bad their facilities are. I can't be doing with any of that, I just like to get on with it.
Actors don’t retire. They just get offered fewer roles.
I'm in a fortunate position that sometimes you just get offered roles - they're not necessarily the roles you take, but to get offered a film is amazing. I think the work you've done before that is why you get it.
I don't get jobs in films by auditioning. I'm not blonde. You can't place me in movies the way you can with certain actors. It's very difficult for my agents.
See, the first thing about actors is, you're just trying to get a job; and you audition and audition and you finally get them. And you still consider yourself an auditioning actor. I auditioned for One Fine Day, I wasn't offered that. So you're still in that 'Hey, I'm just trying to get a job' thing. Then, you get to the point where, if you decide to do it, then they'll make the film. That's a different kind of responsibility, and it usually takes a couple of films to catch up. And then you have to actually pay attention to the kind of films that you're making.
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