A Quote by Chris LeDoux
You'll probably get three horses and you have to draw a good buckin' horse. That's mighty tough.
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Not all horses are going to be show jumpers, not all horses are going to be dressage horses. So you have to sort of find where the horse physically fits into what might suit him, but all horses can be comfortable and all horses can have good, solid fundamentals.
I have to say my relationship with the horses is the biggest thing, and it grows. I love horses more and more every day, and I'm breeding, so when I'm playing a horse that's the son of a horse, the daughter of a horse I used to play, it's like bonding. So I think that's the most amazing part of it. It's the passion that we polo players have for the horses first, and then the game and the strategy of the game and winning and the team and your teammates, all of those things are a big part of it, but the horses are my favorite part.
I remember kids used to give me a penny for drawing them a horse. I loved horses, but I couldn't have one, so I would draw a horse for myself. I would make it food and a blanket for it to wear and a place to live.
I'm very comfortable with horses. I love horses and I have grown up around farm-hands. There's something very universal about anyone who's on horseback night and day. When you get off that horse, you are still walking as if there's still a horse between your legs.
I asked for a horse for Christmas, and I got one! It's an adult horse. I didn't want a 5-year-old, which is a teenager for horses. It has a beautiful gait. It's the Cadillac of horses.
Dakota tribal wisdom says that when you're on a dead horse, the best strategy is to dismount. Of course, there are other strategies. You can change riders. You can get a committee to study the dead horse. You can benchmark how other companies ride dead horses. You can declare that it's cheaper to feed a dead horse. You can harness several dead horses together. But after you've tried all these things, you're still going to have to dismount.
There's an ancient bond that still exists today between horses and humans, it is even there with people that have never ridden a horse or been around horses. The horse is what settled the entire west. If it weren’t for the horse they’d probably be only a couple hundred miles from where they started. A lot of people don’t realize how much they owe the horse because it’s not so much a part of our culture right now as it used to be.
I've got like a weird bond with horses. I'm kind of a horse whisperer, I don't know what it is. I'm not great on a horse. I'm getting better, but I'm not brilliant. So yeah, I've spent a lot of time with horses. They're great creatures, I love them. I do love riding them when I get the chance to.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
Horses are consistent and logical. The horse will do what is easiest for him. If you make it easy for him to buck you off, kick you, and run away, that’s just what he’s going to do. And more power to him. But if you make it easy for the horse to be relaxed and calm and accurate — and also have it be a beautiful dance between you and the horse — it won’t be too long before he’ll be hunting for that just as hard as you are. Whatever you make easy for the horse, that’s what he’s going to get good at.
I love horses, and when the SPCA tells me off I get real mad because I know more about horses than they do. They say you can't rear a horse up backwards, but I do it so they fall into foam rubber and don't get hurt at all.
You try to do the best with what you've got and ignore everything else. That's why horses get blinders in horse racing: You look at the horse next to you, and you lose a step.
I have no time for real horses, so I have a plastic horse. Large size. Called Max Von Sydow. For photographs it looks real. If I do a photo shoot and it stands in the background, you think it's a horse. A horse is a horse.
The mere wit is only a human bauble. He is to life what bells are to horses-not expected to draw the load, but only to jingle while the horses draw.
Ethiopians imagine their gods as black and snub-nosed; Thracians blue-eyed and red-haired. But if horses or lions had hands, or could draw and fashion works as men do, horses would draw the gods shaped like horses and lions like lions, making the gods resemble themselves.
If the human isn’t responsible for their role in the horse human relationship, horses just don’t get along very well. So that’s why I say it’s all about the human meeting the bill to fit the horse in any given situation. But don’t expect the horse to always fit the human.
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