A Quote by Chris Lilley

I don't just want to upset people and shock people by saying something really outrageous. — © Chris Lilley
I don't just want to upset people and shock people by saying something really outrageous.
I think it's part of the responsibility of an artist to shock, to upset, to make people think differently, and to surprise people. And that's where the good humor is, if there's a surprise and there's something unexpected. Something that's not normal, not in the realm of general living expectations.
Hopefully people are upset for the reason I want them to be upset. Even when I was doing open mics, I've always had people upset. I've never been the consummate crowd-pleaser.
Saying that something is accessible gives it this implication that people need something, and thinking that we know what people need or want is really unpleasant. I don't like to think that way, like, predicting what it is that the people want.
I want to stand out. After my career is over, I want people to say, 'He was different.' It's not to be outrageous. I just want people to know that when I played ball, I was having fun.
People want something that's relevant to their lives. They want something that means something to them, and they want something where it seems like people have thought about what they're saying.
Anything that you can shock somebody with. The only way to change something is to shock it. If you want your muscles to grow, you have to shock them. If you want society to change, you have to shock them.
Texas is OK if you want to settle down and do your own thing quietly, but it's not for outrageous people, and I was always outrageous.
I don't really care if people get upset. I think I'm doing my job if people get upset; I want them to think! We all want them to think, hopefully.
You never want to just be outrageous for outrageous' sake 'cause then it doesn't work, and it's not believable. You want to be as true to whatever character you're playing.
If something is really outrageous, it doesn't matter if it is one culture, or another, it's outrageous.
I don't consider my own clothing to be outrageous. The truth is that people just don't have the same references that I do. To me it's very beautiful and it's art, and to them it's outrageous and crazy.
People know Troy Aikman as a Super Bowl-winning quarterback. That carries tremendous weight. Because he really guards against overexposure, or just saying stuff for effect. When he really says something that's critical, people notice.
I'd like to think that what I've written over the years and what I'm doing now means something to people. People in the street all the time are saying "love the new record" or "I love that record," this tune or that tune. It means an awful lot, or it's been a big part of their lives. As a songwriter, what else would you really want? You're trying to connect with people, people's emotions, and maybe say something about their lives or feelings. That's probably a good enough compliment to receive, really.
People don’t really want to know anything about you. They just want you to fit into their little predetermined slots. They decide what you are in the first two seconds, and they only get nervous or upset if you don’t live up to their snap judgments.
People are very upset with Washington. They're upset with Democrats. They're upset with Republicans. They're upset with the establishment.
People get all upset about torture, but when you get right down to it, it's really a pretty good way of finding out something a person doesn't want you to know.
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