A Quote by Chris Long

I never mean to make a headline where it's like, 'Chris Long unsure.' I never try to make it sound like I'm under the impression it matters either way if I play or anybody cares.
I never want to play a show where it feels overly programmed, processed, and all that. For anybody that comes to one of our shows, the goal for me is to make sure that's their show. That nobody else is going to see that show ever again. You know what I mean? I try to make it different every day.
My paint is like a rocket, which describes its own space. I try to make the impossible possible. What is happening I cannot foresee, it is a surprise. Painting, like passion, is an emotion full of truth and rings a living sound, like the roar coming from the lion's breast. To paint is to destroy what preceded. I never try to make a painting, but a chunk of life. It is a scream; it is a night; it is like a child; it is a tiger behind bars.
I like that kind of classic-type sound. A lot of my favorite albums were tracked live, with a four-piece band. I love the way those albums sound, but I want to make records that sound like that in the way I like to make stuff.
Anybody who wants to go into any business, I always say that you have to make a commitment to yourself to make it a part of your nature like the air you breathe. I don't mean that lightly. It's hard. You have to do the work, and a lot of it is going to be during your own personal downtime. And you have to be interested in it. You can never study enough, and you can never learn enough.
I'm never going back to the past. It is like when I am driving - I never like to do those routes that take you backwards and make you go the long way. I always like to do the shortcuts and go forward.
Write it as it is, don't try to make it like this or that. You can't do it in anybody else's way-you will have to make a way of your own.
I never learned to play properly either, I was a little bit too lazy for that, but as long I could express myself in a way that had sound, I was happy.
When I try to sound like the contemporary sound, it never turns out that way.
Just never really got into cars and flossin' or never really cared, like I was always the type of person that felt like as long as I make enough money to support my family with this music that's all I really care about. You know what I mean so I don't really buy, I'm just not into like that many material possessions and stuff like that, because at the end of the day, it's just not that important.
When I try to sound like the contemporary sound, it never turns out that way. That's just me.
You'll never make a good impression on other people until you stop thinking what sort of impression you make.
If you take a violin, you can make it sound 50 different ways. Not just pizzicato and played by the bow, but ponticello, and harmonics, and tremolos. If you take an oboe and play it, there's about one way you can make it sound: like an oboe.
The thing that will never go away is that connection you make with a band or a song where you're moved by the fact that it's real people making music. You make that human connection with a song like 'Let It Be' or 'Long and Winding Road' or a song like 'Bohemian Rhapsody' or 'Roxanne,' any of those songs. They sound like people making music.
You can't try and make something you think someone else will like. You can only make what you like. How can you make a song that Yo-Landi Visser likes? You don't know me. You'll never understand me.
Often you've read another poem that you think is so beautiful that you'd like to make something like that. And so you try to make a sonnet that works in a certain kind of way, or you try to make something that's songlike, or you create a refrain, or you love the way a poem works in two line stanzas and you try to do that.
This might sound strange, but I've never really been a person who has goals of any sort. I tend to just work in the moment, day-to-day, try to make things and make decisions that feel good, and it tends to guide me where I want to go in the long-term.
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