A Quote by Chris Lowe

Electroclash is good because it's stayed underground. — © Chris Lowe
Electroclash is good because it's stayed underground.
Underground. Which I hate. Like mines and tunnels and 13. Underground, where I dread dying, which is stupid because even if I die aboveground, the next thing they'll do is bury me underground anyway.
I like the word 'underground'... 'independent' carries a stigma of whininess. 'Underground' means a good time.
Most of the contract people at MGM stayed and stayed and stayed. Why? Because the studio looked after them. Warner Brothers wouldn't - they were always spanking somebody or selling them down the river.
Woody Allen stayed so good because he never left New York. Howard Stern stayed so good because he never left New York - Mel Brooks when he just got out of New York was doing 'Blazing Saddles;' when he left New York he started doing stuff like 'Robin Hood Men In Tights' - he was in L.A. too long. He lost the edge.
I stayed because it was normal. After the first hit, you don't think they're going to do it again. And it does escalate, but I stayed because it became normal. I didn't call the police because I didn't want them to go to jail and it just was normal.
I started out as an actor, but I forced myself to be a writer, even though I wasn't very good at it and had never written. I don't think I ever passed an English course in my life. My first eight to 10 scripts were pretty horrendous, but I stayed at it, stayed at it, and stayed at it, until I eventually found a voice and a subject like Rocky that people were interested in.
So, I play in a band. It's a really underground band. Super underground. Very underground. Like, we don't even actually play.
It is in our interests to let the police and their employers go on believing that the Underground is a conspiracy, because it increases their paranoia and their inability to deal with what is really happening. As long as they look for ringleaders and documents they will miss their mark, which is that proportion of every personality which belongs in the Underground.
The underground went really underground. Grand Funk, and all these people man are the moderate's choice of music. Underground is Yoko Ono, The Black Poets. These people scare the hell out of most freaks. They laugh at Yoko Ono, but it's the whole cliché.
There's good and bad in every arena. It's funny, some people, the reason they're in the underground is because they're lazy and don't make things happen for themselves.
I stayed in Milan for six years. I stayed in Madrid for four years. I played in Brazil for nine years, so I always think about the good projects.
The underground of the city is like what's underground in people. Beneath the surface, it's boiling with monsters.
I always liked having a good time. I got into this business because I got fired from any job I ever had because I stayed out late playing music.
I stayed in the ghetto. Then I stayed in condos, then I stayed in penthouses, and then I stayed in mansions.
There's always going to be a fight between mainstream and underground because the mainstream is a very small bubble, and the underground scene is a very small bubble, and they both see themselves as secret societies.
My whole goal in this industry nowadays is to keep doing the underground stuff, but to be able to add vocals that are sexy and underground.
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