A Quote by Chris Lowe
We never let go. Ever. Even with punctuation. It's frightening. I can't see anyone from any record company ever writing an email to Neil and not getting it back, with corrections.
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We all know of course, that we should never ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever ever fiddle around in any way with electrical equipment. NEVER.
No record company in the world would say, 'We're not promoting if you keep calling somebody a snitch.' They know what makes money. A record company would never be that stupid. Ever.
Do not let any record company disturb your creative flow. You are not writing for the record company. You're writing for the public.
Seeing someone go down, you don't ever want to see anyone getting carried off on a stretcher or you don't want to see anyone missing a day or another game.
You can find truly original pieces of writing, but they're original because you go, "Who would have even have thought of that?," or, "Why would anyone ever want to go see that?"
I was chef to the French Presidents between '56 and '59, finished with de Gaulle, and during de Gaulle I remember serving Eisenhower, Nehru, Tito, Macmillan; those were the heads of state at the time. I never saw anyone. No one would ever, ever, ever come to the kitchen. You couldn't even see them.
In my writing class, we never, ever talk about the writing - ever. We never address a story that's been read. I also won't let anyone look at the person who's reading. No eye contact; everybody has to draw a spiral. And I would like to do a drawing class where we could talk about anything except for the drawing. No one could even mention it.
Getting 1,000 yards in the NFL is an amazing accomplishment, and being the first rookie ever for the Giants to do that is even a bigger one. It's big because even though my name might go in the record book, it's not just myself - it's the offensive line play and the guys in the running back room, all those guys have been a tremendous help.
Any marijuana transaction I ever did with anyone, there were never any guns involved, ever.
Have you ever slept with a member of a race of another color?
Have you ever committed culpable homicide?
Have you ever bombed anything?
Have you ever murdered anyone?
Have you ever kidnapped anyone?
I don't think anyone is ever writing so that you can throw it away. You're always writing it to be something. Later, you decide whether it'll ever see the light of day. But at the moment of its writing, it's always meant to be something. So, to me, there's no practicing; there's only editing and publishing or not publishing.
"I Wish It Could Be Christmas Every Day," which I actually recorded on "Quality Street" because I don't think anyone has ever covered it before. You hear it every single Christmas, and it is a great record. That's by Wizzard. It is a really great record, but I don't think anyone's ever covered it before, so I had to go it doing it differently. It's quite different from how the original goes.
I would rather die than ever see you suffering this way. I don't want you or any child I ever have or any woman I ever love to go through or feel what you're going through, but it's happened and I don't know what to do.
I always respected Neil Armstrong highly. He was probably the coolest under pressure of anyone I ever had the privilege of flying with. I never saw him flustered.
Writing 'We Are Never Getting Back Together' was one of the most hilarious experiences I have ever had in the studio because it just happened so naturally.
You know, they ask me if I were on a desert island and I knew nobody would ever see what I wrote, would I go on writing. My answer is most emphatically yes. I would go on writing for company. Because I'm creating an imaginary - it's always imaginary - world in which I would like to live.
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