A Quote by Chris March
When I find stuff that's interesting, I try to get a hold of it so that when I do need to make something really cool, I have it on hand.
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I always think it's interesting to switch genres, because if I read a script and I know exactly how to manifest a story, I don't really want to do it anymore, because I've already done it in my head. It becomes less interesting. If I read something that's challenging, I get really passionate and usually fall in love with it, because I feel I need to do it. I need to tell the story; I need to find a way to make it happen.
Ever since I was a kid, I've been into clothes, but not really labels- that's kind of only been in the last year or so. It's something I've always cared about. I used to just constantly thrift and make stuff and cut stuff up and borrow my dad's stuff and borrow my little brother's stuff and all that jazz. ... It's just, if something is cool, then it's cool.
I always try to find something or some way of delivering the lines or playing the scene that you wouldn't normally expect. And I know that sounds weird, because it's not like I surprise people with shocking performances. But in an interesting way... Just being real and as interesting as possible. Usually, that stuff is the spine of the show. It's the humor that you need in a scene, in an intense moment or something.
I do try to shop online and support people who hand-make their stuff, and because you can find stuff that nobody else has.
There are really cool or funny videos, or visually stunning photos, and that's fine, but none of them really give you more when you close that tab, you know? I try to find stuff that a little bit, in a tiny way changes how you see something about the world.
Why don't you try to do without him, why don't you try to live alone? Do you really need his hands for your passion? Do you really need his heart for your throne? Do you need his labor for your baby? Do you need his beast for the bone? Do you need to hold a leash to be a lady? I know that you can make it, you can make it on your own.
Sometimes you get really bitter about how the prettiest images don't typically end up attached to the most interesting music. But I just take that as a challenge to try to do something cool.
The mistake many people make when they go to a bespoke tailor is they often think they need to do something special - either an interesting design feature, or a particularly interesting or unique-looking cloth. I say do the opposite. Stick to something really simple, because this will be a suit that you will really want to wear, so start with something very straightforward and you will get an enormous amount of joy wearing it.
I started out doing production work on promos, stuff like that. I didn't think it was cool to be working for NPR. I didn't need anything to be cool. I just wanted something to do that would be interesting. It was fun. I didn't think of it as anything else but fun.
So, once I get writing I really try and put five to eight hours a day in my room with a guitar to really try and come up with stuff that feels interesting enough to me to keep it.
I felt really comfortable [on The Maze Runner]. From day one, I loved the script and the story, and I thought it could be something really cool and interesting and original, in this generation of regurgitated projects and sequels and stuff, so I'm proud to be part of it.
I really don't find revivals very interesting because I like new work a lot. I feel like if you're going to pay me, then let me do what I do and let me try to solve some problems. Let me try to make something fly. Why would I do something that everybody has already done the hard work on? But that's me. Tons of people do revivals really well.
Now I really make the little idea from clay, and I hold it in my hand. I can turn it, look at it from underneath, see it from one view, hold it against the sky, imagine it any size I like, and really be in control almost like God creating something.
I don't really approach stories to make them different from other stuff I've seen, I just try to get into the character, into his or her head. Try to make it as funny, as scary or as wild as I can so that I really like it.
Obviously, artists need to make money and stuff like that, but if you do something good or if you make good art or make good stuff, the wealth will find you in some way.
I want my children to have access to something that looks beyond what I call the tyranny of now. You read the paper, everyone talks about that thing [in the news] that day, and all the subconscious really important stuff that's going on is being neglected. The beauty of history is that historians have the ability to find patterns, the big picture. When you make a movie, you try to find that. I'm doing in the cinema what historians try to do in their own media.
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