A Quote by Chris Martin

When the lights go down, that's 30,000 peoples lives colliding. Everyone there working is working for that moment, everyone watching is watching for that moment. It's when you're all in agreement about what you're all doing so it's a wonderful feeling of togetherness and possibility.
Working on a set and working with actors, that's all the same. The moment you're doing it and you're in the moment, you don't have time to think about it. You just have to make it as good as you possibly can on the moment.
We're going through the Olympics. We're watching women working as teams. We're watching men working as teams. We're watching all working as teams. We're proud of men and women getting medals. That's how the Navy should be working.
The premise that we're working with is that when most people go to a show, they're not really watching what's going on onstage. They may be watching what's on the screen. But when the songs are playing in their mind's eye, they're actually watching a movie.
Obviously everyone's weight fluctuates. But I'm focusing on working out and watching what I'm eating.
Unfortunately, when you're working in film, it's this huge machine, and you've got to get everyone right there, so you get kind of locked into things. I'm not sure where the artistry in film making is. It's usually that moment when you're on set and you're working with the actors. That's the time to play around, the moment of theater. And then you can shape things. But a lot of it is just managing stuff. It's upsetting because you get away from the core.
There was a moment when I was watching Martin Lawrence and Will Smith in 'Badboys' that I felt, you know, inspired. I don't know if I was proud, because so many people do the work. Everyone's part of a team that develops over the years and gives people chances. There have been some good moments watching people develop.
Working with Sylvester Stallone is beyond a 'pinch yourself' moment. I remember growing up watching his films.
Not everyone likes watching rushes, but it makes me work harder, and I don't feel I am watching myself, but watching the progression of the character.
My philosophy is that if you're playing a moment truthfully, that it's a funny moment, then hopefully it will be funny. I like to just go for a truth in the work as much as I can. There's a lack of ego when you're working with comedy that I really love. It's hard to come up with something funny. It's become a fun game in a way. Everyone is going for the gold, for that humor.
Watching 'Mahabharat' and 'Mahakali' on screen after so long really got me nostalgic! It was honestly wonderful and an emotional moment to relive those memories from both the shows I have been part of while watching their very first episodes all over again.
While you're in the moment of anything that's confusing in your life, you're in the moment, and you have to figure it out. You can go up or down. And I just kept working on the higher road, and trying. I got very involved with medication.
I want everyone to go back home feeling happy after watching all my films.
Silence is absorption, and when you're watching a film and you're that quiet and you're that still, at least from my experience of watching films, that indicates an absorption, where you're really in the moment. You're really present. What you're seeing is vital to you in that moment, and it's tingling, and it's alive, and it matters.
Everyone learns how to assimilate through watching television. Everyone thinks America is going to be like Hollywood, and when they get here they keep watching TV to find out how to be.
The funny thing is, whenever I'm working on something, I kind of forget there's a lot of people watching. It makes it easier to be in the moment and to tell a story as well as possible.
I found so many reasons to call it 'You're Dead!' - not just because I wanted to make this album about the journey through death. I was watching the music scene that I came up with kind of go stale and watching the lights go out on a lot of my friends.
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