A Quote by Chris Martin

We want to make something that moves us when we hear it. Because after all the hype and awards and whatever, that's all music is. — © Chris Martin
We want to make something that moves us when we hear it. Because after all the hype and awards and whatever, that's all music is.
I'm very serious about what I write and who I allow to produce the music, because I want to make sure it's a true album, and not just something pushed out there to create hype and more fame for myself.
That's exactly why I came into music in the first place: to be inspired by what I hear to make it something else, to make it my own. That's how culture, creativity, moves, isn't it?
Skateboarders are envied by people because they just glide so free. Any time something moves like water, they’ll make a dam. Every time something moves in nature, they want to stop it.
The most important thing I can say is to make music that moves you. Don't try and chase what's on the radio or what you think people want to hear.
If you hype something and it succeeds, you're a genius - it wasn't a hype. If you hype it and it fails, then it was just a hype.
I don't take anything for granted; awards and all that go with it are very nice, and it's nice to get a positive response, but for me, it's about the music. I don't make music to win awards. I make music for the people.
We don't want to box ourselves within any type of genre, you know? Whatever feels good, if it moves us and we like it, we get on it and make it our own. That's what we do.
The genius of you Americans is that you never make clear-cut stupid moves, only complicated stupid moves which make the rest of us wonder at the possibility that we might be missing something.
When I write a book... it's the same essential approach to music as with books. It has to be something I want to hear or read. Hopefully the audience comes along, since that's the only way you can write righteously. I have to ask, 'What do I want to hear?' not 'What do people want to hear?'
What I don't like to hear in music is something has not been thought through: that a sound is just there randomly. I want to make sure that every single little noise that's in my song is there because it's supposed to be there.
I write my music with the idea that it will appeal to all of those people, and I want them to go in with all the history that's within all of us - all the things that they've listened to in the backs of their minds, whether it's country music or minimal techno, or classical music or whatever. I want them to bring that excitement, that love, or that hate, or whatever it might be, to my music. I feel that my music draws on so many different things.
Um, well my main profession is acting and music is what I love doing. It's kind of nice like that in a way because it means I'm under no real pressure with the music. I have got complete creative control and I can make whatever I want. So, that takes a lot of the pressures off because there's no financial pressure. And it's something I've always loved doing.
If others tell us something we make assumptions, and if they don't tell us something we make assumptions to fulfill our need to know and to replace the need to communicate. Even if we hear something and we don't understand we make assumptions about what it means and then believe the assumptions. We make all sorts of assumptions because we don't have the courage to ask questions.
The music has generated all the techniques I use. When I sit down to learn to play something . . . it is not because I want to master a technique. It is because I want to hear what an idea sounds like.
The way I look at music, what I'm interested in is not necessarily creativity - in many ways I think creativity is overrated, actually. What I think is important is authenticity. I want to hear music that has the resonance of the people. I want to hear music that is an amplification of them. Because then, I can experience the people. But because the music has become so institutionalized, everyone is learning and regurgitating the same material in the same way.
I still listen to older music a lot more than new singers. I listen to whatever's on the radio, but when I want to listen to something that moves me I put on a Stevie Wonder record.
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